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THE DECEIVERS

From the Vale Hall series , Vol. 1

Confusing choices in setting and characterization tarnish an otherwise entertaining heist thriller.

YA veteran Simmons (Pacifica, 2018, etc.) puts a new twist on mythic roots in her newest addition.

Brynn Hilder is a struggling high school student on the south side of Sikawa City, a place so clearly based on Chicago one wonders why the name has been changed when others were not. When not in school or working as a cleaner at the library, she runs a side hustle as a con artist, saving money for college and a chance to escape the crime, drugs, and violence of her neighborhood. Recruited to attend Vale Hall, an elite, secretive prep school, with an opportunity for a college scholarship, Brynn must be willing to deal in subterfuge. Astute readers will quickly recognize the allusions to Norse mythology and Brunhild the Valkyrie, though Vale students do not collect souls for Odin but rather secrets for their mysterious benefactor to wield as leverage against corruption in high places. True to the Norse source material, there is no clear battle between good and evil but rather layered shades of gray and moral ambiguity. Bemusingly, Brynn is described as Colombian on her father’s side, evidenced only by a reference to her skin tone (her mother is assumed white); the portrayal is lacking in recognizable cultural texture and depth.

Confusing choices in setting and characterization tarnish an otherwise entertaining heist thriller. (Thriller. 13-18)

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-17579-3

Page Count: 384

Publisher: Tor Teen

Review Posted Online: Nov. 6, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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THE WAY I USED TO BE

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 15, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is building a complex mythology; now is a great time to tune in.

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Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 25, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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