by Kristen Tracy ‧ RELEASE DATE: Oct. 30, 2012
Theft, death and laughter.
Even when she’s dead, Molly has things to discover and deal with in her own way—with required screaming, sassiness and a little help from a guide named Louise.
Apparently, before a soul can cross over, it needs to settle residual issues, and Molly has them in spades. In addition to her titular kleptomania, she had trouble deciding which guy she really liked and knowing who her real friends were. Somehow this is epitomized by clocks. Lots of them. Do not expect logic, just go with the flow. It’s all pretty silly and lighthearted, which makes the read appealingly fluffy despite Molly’s death from being bitten on the butt by a rattlesnake while horseback riding. (Too embarrassed to admit her butt is sore, she let everyone think that the horse simply threw her and it’s the head injury that matters. Not.) Likable and flawed (Tracy specializes in this kind of narrator), she resists the afterlife as she grapples with the discoveries she makes visiting the people that mattered to her. While setting herself square, Molly can see and hear what she never could alive. No one could take any of it seriously, but perhaps that is its greatest charm.
Theft, death and laughter. (Fiction. 12-15)Pub Date: Oct. 30, 2012
ISBN: 978-1-4231-2752-9
Page Count: 272
Publisher: Hyperion
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Sarah Arthur ‧ RELEASE DATE: Jan. 30, 2024
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development.
A portal fantasy survivor story from an established devotional writer.
Fourteen-year-old Eva’s maternal grandmother lives on a grand estate in England; Eva and her academic parents live in New Haven, Connecticut. When she and Mum finally visit Carrick Hall, Eva is alternately resentful at what she’s missed and overjoyed to connect with sometimes aloof Grandmother. Alongside questions of Eva’s family history, the summer is permeated by a greater mystery surrounding the work of fictional children’s fantasy writer A.H.W. Clifton, who wrote a Narnialike series that Eva adores. As it happens, Grandmother was one of several children who entered and ruled Ternival, the world of Clifton’s books; the others perished in 1952, and Grandmother hasn’t recovered. The Narnia influences are strong—Eva’s grandmother is the Susan figure who’s repudiated both magic and God—and the ensuing trauma has created rifts that echo through her relationships with her daughter and granddaughter. An early narrative implication that Eva will visit Ternival to set things right barely materializes in this series opener; meanwhile, the religious parable overwhelms the magic elements as the story winds on. The serviceable plot is weakened by shallow characterization. Little backstory appears other than that which immediately concerns the plot, and Eva tends to respond emotionally as the story requires—resentful when her seething silence is required, immediately trusting toward characters readers need to trust. Major characters are cued white.
Evocations of Narnia are not enough to salvage this fantasy, which struggles with thin character development. (author’s note, map, author Q&A) (Religious fantasy. 12-14)Pub Date: Jan. 30, 2024
ISBN: 9780593194454
Page Count: 384
Publisher: WaterBrook
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
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by James Patterson & Emily Raymond ; illustrated by Valeria Wicker ‧ RELEASE DATE: April 26, 2022
A somewhat entertaining, fast-paced journey that fizzles at the end.
A teenager runs away to Seattle, hoping to locate her missing sister.
Fifteen-year-old Eleanor idolizes her older sister, Sam, despite their being complete opposites: Sam is outgoing and wild, while socially awkward Eleanor is known as Little Miss Perfect, always doing the right and safe thing. After Sam runs away from home, the only communication she has with Eleanor are three postcards sent from Seattle. Eleanor decides to trace her 18-year-old sister’s footsteps, leaving her messages and hopping on a bus to find her. But when Sam doesn’t meet her at the bus depot, Eleanor, who has no real plan, has to learn how to survive on her own while searching the city for her sister. While the close bond between the girls is well depicted through flashbacks, the reveal of an important secret ultimately feels anticlimactic. A major plot point relies too heavily on chance and coincidence to be fully believable. While the color scheme, cityscapes, and background illustrations are atmospheric, the manga-inspired drawing style comes across as dated and flat. The depiction of the fabricated stories Eleanor tells is intriguing, as are the themes of friendship, living in the moment, and maintaining hope; unfortunately, none are thematically strong enough to resonate. The emotional impact of Eleanor’s experiences is diluted by her at times humorous narration. Eleanor and the main cast read as White.
A somewhat entertaining, fast-paced journey that fizzles at the end. (Graphic novel. 12-15)Pub Date: April 26, 2022
ISBN: 978-0-316-50023-4
Page Count: 280
Publisher: Little, Brown
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
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