A smart, well-observed saga of lifestyle redemption that’s weighed down by an inert heroine.


A desperate housewife seeks to renew her spirit and her relationship with her family through a radical new diet in this tasty novel of recovery.

Thirty-something Chicago mom Colleen Adler drinks too much and struggles with a thyroid condition and constipation. She cedes the mothering of her two young daughters to the maid; frets that her husband, a lawyer, is having an affair; and suffers catty abuse from her mother-in-law, Dinah, the queen bee of the Harborview Country Club. Worst of all, in her view, she’s gained weight—she’s now 185 pounds—and she fears a social firing squad if she can’t fit into a svelte designer dress in time for Harborview’s Fourth of July gala. She repairs to weight-loss guru and all-around healer Kory Stone, whose ministrations include mirror work and talk therapy. Her central treatment, however, is a “detox diet” of sadistically healthy fare, prepared by a holistic chef—complete with kale, quinoa, yams, and seaweed. Colleen endures an agonizing week of caffeine-withdrawal headaches and doughnut cravings—but then she starts feeling lighter, regains her regularity, and perks up enough to read bedtime stories; soon, the bathroom scale noses downward. Then it’s time for deeper work, as Kory’s psychic friend Rachel helps Colleen communicate with her dead brother’s shade and reconnect with her parents, which requires her to confront their toxic home-cooked meals. Debut author Booker, a wellness coach, pokes entertaining fun at an appearance-obsessed culture of well-heeled women and vividly captures their sensuous battle with food. (Colleen “loved the soft snap of cold cheese as she bit down into the sweet tomato sauce” of leftover pizza.) Her countervailing depiction of New Age therapeutics sidesteps satire, though, and feels a bit too earnest. Booker’s prose is sharp and engaging, but Colleen is a weak protagonist; for much of the book, she’s a feckless person who relies on others for expectations and direction until extreme dieting finally rouses a little gumption in her. It’s a shrewd portrait of a dysfunctional personality, but sometimes Colleen is too dreary for readers to care about her.

A smart, well-observed saga of lifestyle redemption that’s weighed down by an inert heroine.

Pub Date: Feb. 23, 2018

ISBN: 978-0-9998234-0-8

Page Count: 296

Publisher: Cricket Press

Review Posted Online: Nov. 7, 2018

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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