A treasure house of mysteries large and small.
This Norwegian import is guaranteed to silence boastful Where’s Waldo grads.
It opens on a woodsy nature scene for zero, “No one,” before moving to a deceptively simple one (1) child in a bedroom who next joins his dad (2) for a forest outing. The count continues—by single digits to 30, then by various intervals to 1,000—on to depict crowd scenes in locales ranging from a library to a life drawing class, with many individualized figures (of diverse body type, skin tone, and hair texture and color) recurring. Inconspicuous captions below each picture offer either pointers to subtle visual cues or invitations to speculate about what they see. Of the 20 children in a classroom, for instance, “One of them is thinking about all the people who’ve lived before us. One of them has lost the class teddy bear. One of them is dreading football training. One of them will become prime minister.” Roskifte supplies some solutions, along with additional scenarios, at the close. She also gives viewers a bit of an assist by coloring in her small, doll-like humans throughout but leaving everything else as pale outlines. Switching at the end to a big blue marble floating in space, she rounds off the numbering with 7.5 billion followed by a barrage of leading questions, from what became of that lost teddy to lifelong posers, including the poignant “Does everyone share the same truth?”
A treasure house of mysteries large and small. (Picture book. 6-10)Pub Date: Feb. 4, 2020
ISBN: 978-0-7112-4524-2
Page Count: 64
Publisher: Wide Eyed Editions
Review Posted Online: Dec. 7, 2019
Kirkus Reviews Issue: Jan. 1, 2020
BOOK REVIEW
A solo debut for Wenzel showcasing both technical chops and a philosophical bent.
Wouldn’t the same housecat look very different to a dog and a mouse, a bee and a flea, a fox, a goldfish, or a skunk?
The differences are certainly vast in Wenzel’s often melodramatic scenes. Benign and strokable beneath the hand of a light-skinned child (visible only from the waist down), the brindled cat is transformed to an ugly, skinny slinker in a suspicious dog’s view. In a fox’s eyes it looks like delectably chubby prey but looms, a terrifying monster, over a cowering mouse. It seems a field of colored dots to a bee; jagged vibrations to an earthworm; a hairy thicket to a flea. “Yes,” runs the terse commentary’s refrain, “they all saw the cat.” Words in italics and in capital letters in nearly every line give said commentary a deliberate cadence and pacing: “The cat walked through the world, / with its whiskers, ears, and paws… // and the fish saw A CAT.” Along with inviting more reflective viewers to ruminate about perception and subjectivity, the cat’s perambulations offer elemental visual delights in the art’s extreme and sudden shifts in color, texture, and mood from one page or page turn to the next.
A solo debut for Wenzel showcasing both technical chops and a philosophical bent. (Picture book. 6-8)Pub Date: Aug. 30, 2016
ISBN: 978-1-4521-5013-0
Page Count: 44
Publisher: Chronicle Books
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
Cute and brave—gee, Rot’s spud-tacular!
A “scaredy-spud” puts on his brave face.
All “mutant potatoes” love mud. Mud is good for playing games, eating, and even sleeping. But few taters have more tender feelings toward muck than Rot. À la Pete the Cat, Rot celebrates mud in song: “Mud between my toes! / Mud in my nose! / Mud is GREAT / wherever it GOES!” When Rot’s big brother, Snot, tells Rot about the Squirm that lives “deep down in the mushy muck,” his love quickly turns to fear. But he doesn’t give up! Instead, Rot imagines himself in various disguises to work up courage. There’s “Super Spud” (a superhero), “Sir Super Rot, the Brave and Bold” (a superhero-knight), and even “Sir Super Rot the Pigtato” (a, um, superhero-knight-pig-potato). The disguises are one thing, but, deep down, is Rot really brave enough to face the Squirm? Readers wooed by Rot’s charm in Rot: The Cutest in the World (2017) will laugh out loud at this well-paced encore—and it’s not just because of the butt cracks. Clanton creates a winning dynamic, balancing Rot’s earnestness, witty dialogue, and an omniscient, slightly melodramatic narrator. The cartoon illustrations were created using watercolors, colored pencils, digital collage, and—brilliantly—potato stamps. Clanton’s reliance on earth tones makes for some clever, surprising page turns when the palette is broken.
Cute and brave—gee, Rot’s spud-tacular! (Picture book. 6-8)Pub Date: June 16, 2020
ISBN: 978-1-4814-6764-3
Page Count: 40
Publisher: Atheneum
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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