A profoundly personal and illuminating chronicle on a growing public health problem.



A heartfelt memoir about the repercussions of Lyme disease in one woman’s life.

Wood-Giles’ debut begins with surprising facts about Lyme disease, including the fact that it can adversely affect one’s immune system within just two weeks of infection. The Canadian author, a married mother of two, then goes on to detail her harrowing ordeal, which began while she was training for a physically demanding hike along Ontario’s Rideau Trail. She’d previously experienced leg-ligament injuries while playing hockey, so she was glad to return to intensive exercise. She also felt that the multiday hike would act as a salve for her grief over her father’s death. Due to her previous tenure as a park manager, she knew to get tested for Lyme infection when she discovered several ticks on her back, but she put it off until after the hike was over. Over the ensuing months, Wood-Giles was plagued by lethargy, labored breathing, and endless cycles of colds and viral infections. She also experienced chest pains and rapidly deteriorating cognitive function, which disturbed her supportive husband. She found some hope in listening to religious podcasts, but her feelings of powerlessness and dread grew as her mysterious ailments compounded. Wood-Giles passionately and vividly narrates this often distressing tale, and readers will express concern and apprehension as she navigates a maze of clinical diagnoses, trial-and-error treatment options, and other setbacks before her eventual recovery. She tells of how she became inspired to help others by disseminating lesser-known information about the contraction, incubation, clinical assessment, and treatment of Lyme disease. The author also effectively imparts her knowledge of how sugar, gluten, and stress can be detrimental to the health of Lyme patients. Several pages of resource materials, including a section of lyrically written self-care advice (including puppy therapy!), further fortify this significant, engrossing story.

A profoundly personal and illuminating chronicle on a growing public health problem.    

Pub Date: Sept. 18, 2018

ISBN: 978-1-982211-32-5

Page Count: 242

Publisher: BalboaPress

Review Posted Online: Dec. 28, 2018

Kirkus Reviews Issue: Feb. 1, 2019

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Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.


A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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