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THE REALLY GROOVY STORY OF THE TORTOISE AND THE HARE

Crow clearly wants kids to move and groove with her new version of this beloved tale. What does this reincarnation bring? A syncopated hip-hop swing that has built-in action for listening and reading aloud. "Well, Hare, he really scurried / tho' he wasn't even worried / 'cause he left the silly tortoise in the dust." Unfortunately, the “swing” can be a bit temperamental, and an adult reader will need to go through the text silently to get the rhythm right, without sounding labored. The pacing cleverly mimics the story, with speedy and slow verses, a choice that is both artful and another potential slipup for oral reading. Preparation before reading is recommended. Propelling the story forward, however, is a positive energy that oozes from each spread. Visual homage is paid to Normal Rockwell, Michael Jordan, Fred Astaire and even Elvis. Bringing to mind a match-up between Franklin the Turtle and the Trix Cereal Rabbit, the illustrations give readers a wide view of the race, depict Hare's impending disaster up-close and treat them to a photo finish. The last phrase, “Hare mutters in disgust,” provides the opportunity to discuss losing with grace. An entertaining choice that will introduce children to the fable and show those familiar with it how traditional tales can be expanded. (Picture book. 3-8)

Pub Date: March 1, 2011

ISBN: 978-0-8075-6911-5

Page Count: 32

Publisher: Whitman

Review Posted Online: Jan. 24, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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THE LOST STONE

From the The Kingdom of Wrenly series , Vol. 1

A gentle adventure that sets the stage for future quests.

A lonely prince gains a friend for a quest to find a missing jewel.

Prince Lucas of Wrenly has everything a boy could possibly want—except a friend. His father has forbidden him to play with the village children for reasons of propriety. Adventure-seeking Lucas acquires peasant clothes to masquerade as a commoner and make friends, but he is caught out. His mother, the queen, persuades the king to allow him one friend: Clara, the daughter of her personal dressmaker. When the queen’s prized emerald pendant goes missing, Lucas and Clara set off to find it. They follow the jewel as it changes hands, interviewing each temporary owner. Their adventure cleverly introduces the series’ world and peoples, taking the children to the fairy island of Primlox, the trolls’ home of Burth, the wizard island of Hobsgrove and finally Mermaid’s Cove. By befriending the mermaids, Lucas and Clara finally recover the jewel. In thanks, the king gives Clara a horse of her own so that she may ride with Lucas on their future adventures. The third-person narration is generally unobtrusive, allowing the characters to take center stage. The charming, medieval-flavored illustrations set the fairy-tale scene and take up enough page space that new and reluctant readers won’t be overwhelmed by text.

 A gentle adventure that sets the stage for future quests. (Fantasy. 5-8)

Pub Date: April 1, 2014

ISBN: 978-1-4424-9691-0

Page Count: 128

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Feb. 11, 2014

Kirkus Reviews Issue: March 1, 2014

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PIRATES DON'T GO TO KINDERGARTEN!

It’s tough to walk the plank and leave beloved captains behind; this may make the transition a little easier.

An imaginative pirate preschooler has a hard time adjusting to a new captain in kindergarten.

Not only is beloved preschool teacher Cap’n Chu not the captain of the kindergarten ship, but it doesn’t even sail the seas—it’s a spaceship! This is too much for pirate Emma to take, and she falls back to reboarding the preschool ship: “Pirates don’t go to kindergarten!” Despite repeated efforts on the parts of Cap’n Chu, new teacher Cap’n Hayes, and a fellow kindergartener, Emma continues to cling to Cap’n Chu until she gets the reassurance she needs that her former teacher will miss her too but will always be available for a visit. With that, space pirate Emma finally reports to her new ship. Kaban’s digital illustrations go to town with the metaphor, depicting school as a mix of reality and imagination: Emma swims, wooden cutlass in her teeth, back to the preschool room. Emma’s portrayed with a peg leg in one picture, and the kindergarten guinea pig’s fur makes it look like it wears an eye patch. Otherwise, the pirate trope is limited to bandannas and striped shirts. Emma presents white; the other students are diverse; Cap’n Chu presents Asian; and Cap’n Hayes has brown skin and white hair. Unfortunately, awkward renderings of her head and face may remind readers of a monkey’s.

It’s tough to walk the plank and leave beloved captains behind; this may make the transition a little easier. (Picture book. 4-8)

Pub Date: Aug. 1, 2019

ISBN: 978-1-5420-9275-3

Page Count: 32

Publisher: Two Lions

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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