A dazzling debut.
In 1910 Chicago, four young Black women navigate the expectations they are saddled with.
As one of the city’s most highly respected families, the Davenports must uphold the legacy their formerly enslaved father built. Eldest daughter Olivia feels pressured to find the perfect matrimonial match, especially as her younger sister, Helen, can’t be bothered with anything other than helping their entrepreneurial brother, John, fix horseless carriages. Enter Jacob Lawrence, the season’s most eligible Black British bachelor. Despite Olivia and Jacob’s seemingly successful courtship, both are distracted: Jacob by Helen’s desire to be more than society allows and Olivia by her newfound passion for civil rights and a handsome Alabama lawyer speaking out against Jim Crow. The sisters aren’t the only residents of Freeport Manor with lofty ambitions, however. Maid Amy-Rose, who arrived as a child and grew up as the sisters’ friend (her late mother was the family maid before her), dreams of owning a hair salon, but her attraction to John may prove distracting. Ruby, Olivia’s best friend, pined after John for years, but his attention has waned since his return from university. Attempting to lure him back, Ruby entertains another gentleman, but the unexpected feelings that arise leave her torn between familial obligation and personal happiness. This deftly written series opener examines the lives of Black elites following Reconstruction with a focus on the constraints of women. The strong characterization, developed through alternating third-person perspectives, and descriptive setting lure readers in.
A dazzling debut. (Historical romance. 12-18)Pub Date: Jan. 31, 2023
ISBN: 978-0-593-46333-8
Page Count: 384
Publisher: Dial Books
Review Posted Online: Oct. 25, 2022
Kirkus Reviews Issue: Nov. 15, 2022
PERSPECTIVES
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
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