With select poems, revealing passages from letters, and a richly detailed narrative, this thorough study is sure to entice...
A normalizing portrait of one of Western literature’s most enigmatic poets.
Having previously examined the life of Jazz Age poet Edna St. Vincent Millay (A Girl Called Vincent, 2016), Goddu here turns the spotlight on an even larger American literary figure, Emily Dickinson. Known widely for her tight cryptic verses published primarily following her death, Dickinson is often viewed as a sort of "madwoman in the attic," biographers zeroing in on her particular manner of dress and preference, particularly later in life, for staying home and limiting her social interactions. Much of Goddu’s account seeks to redeem that portrayal, focusing on exceptional forces throughout Dickinson’s life that contributed to her artistry. She makes much of Dickinson’s Puritan heritage and education; Dickinson was never at a want for money and, thanks to her father’s prominence as a U.S. Congressman, was at the forefront of Amherst intellectual society. The author makes the compelling case that with Dickinson’s unique talents—including learning to play piano at age 2—frail health, and proclivity for intense relationships with kin and friends, she had little reason to leave the house. Through Dickinson’s love for nature, science, and reading, worlds opened. Archival photographs enhance the telling.
With select poems, revealing passages from letters, and a richly detailed narrative, this thorough study is sure to entice middle-grade readers to explore one of the 19th century’s greatest poets. (timeline, notes, bibliography) (Biography. 10-14)Pub Date: Feb. 5, 2019
ISBN: 978-0-89733-003-9
Page Count: 192
Publisher: Chicago Review Press
Review Posted Online: Dec. 4, 2018
Kirkus Reviews Issue: Jan. 1, 2019
Full of laughter and sentiment, this is a nudge for readers to dare to try new things.
A 1989 summer trip to Europe changes Caldecott Medal winner Santat’s life in this graphic memoir.
Young Dan hasn’t experienced much beyond the small Southern California town he grew up in. He stays out of trouble, helps his parents, and tries to go unnoticed in middle school. That plan gets thwarted when he is made to recite poetry at a school assembly and is humiliated by his peers. When eighth grade is over and his parents send him on a three-week study abroad program, Dan isn’t excited at first. He’s traveling with girls from school whom he has awkward relationships with, his camera breaks, and he feels completely out of place. But with the help of some new friends, a crush, and an encouraging teacher, Dan begins to appreciate and enjoy the journey. Through experiences like his first taste of Fanta, first time hearing French rap, and first time getting lost on his own in a foreign country in the middle of the night, he finally begins to feel comfortable just being himself and embracing the unexpected. This entertaining graphic memoir is a relatable story of self-discovery. Flashbacks to awkward memories are presented in tones of blue that contrast with the full-color artwork through which Santat creates the perfect balance of humor and poignancy. The author’s note and photos offer readers more fun glimpses into his pivotal adventure.
Full of laughter and sentiment, this is a nudge for readers to dare to try new things. (Graphic memoir. 10-14)Pub Date: Feb. 28, 2023
ISBN: 978-1-250-85104-8
Page Count: 320
Publisher: First Second
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
PERSPECTIVES
PERSPECTIVES
A standout among writing guides, valuable for its sage and friendly encouragement and for the sheer fun of hanging out with...
Advice on writing from one of the best writers around.
“I’m a writer and I’m on your side,” Gantos says, as if he’s putting an arm around a young writer’s shoulder and guiding them through a door to a new life. With a snappy voice, his own funny ink drawings, and expertise drawn from a career full of great books, he covers just about everything: where to find ideas and characters, how to structure a story, why to keep a journal, and even what to write with. Every step of the way he includes examples from his own writing. As humorous as he is, Gantos is authoritative and serious about his craft, careful to include every building block for constructing a good story—characters, setting, problem, action, crisis, resolution, and the need for a double ending (physical and emotional). Chapter 2 (“Getting Started”) ought to be read by all teachers and parents: it’s a manifesto on how to raise a reader (and writer) by reading aloud excellent picture books to young children and placing good books in the hands of children as they get older, and he offers a handy list of just what some of those books should be. While his list of picture books is not a particularly diverse one, the middle-grade titles suggested are nicely inclusive.
A standout among writing guides, valuable for its sage and friendly encouragement and for the sheer fun of hanging out with Jack. (Nonfiction. 10-14)Pub Date: Aug. 29, 2017
ISBN: 978-0-374-30456-0
Page Count: 224
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
