The textured perspective that emerges in candid and quirky interviews with gay, lesbian, and bisexual youth is marred by a reductive approach to sexuality. Journalist Chandler follows six teenagers over a few years, through crucial points in their coming-out processes. (The book grew out of a series of articles he wrote for the Minneapolis Star- Tribune.) Attempting to give a broad overview of the sexual- minority youth experience, Chandler devotes some chapters to the young people's (and, in some cases, their parents') personal stories and some to broad generalities about homosexuality and young people. The teens' narratives are often powerful; though there is a good share of coming-out clichÇs (``I always felt different,'' ``She was always such a tomboy,'' etc.), the author also includes the kinds of particularities that bring such stories to life. One girl, for instance, takes her mother to a gay nightclub so she can see what it's like; in another celebratory family moment, a father delights his daughter and her friends by joining them in a raucous lesbian-sex joke-telling session. Chandler, who is heterosexual, negotiates the diversity of queer youth culture more open-mindedly than most mainstream journalists, neither avoiding nor reviling drag queens, tattooed girls, and shirtless young women at pride marches. Unfortunately, the Homosexuality 101 sections are simplistic; in a chapter called ``The Roots of Homosexuality,'' Chandler reassures his readers ad nauseam that gay people do not ``choose'' to be gay and that an individual's essential sexual identity is fixed and unchangeable. Chandler's approach to homosexuality has the effect of unnecessarily distancing these kids from readers, who he seems to assume are straight and have never questioned their heterosexuality. The personal narratives here are compelling, but unfortunately, Chandler seems determined not to let his readers identify with his subjects. (Author tour)
Pub Date: Sept. 1, 1995
ISBN: 0-8129-2380-4
Page Count: 384
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
In a fascinating approach to an unusual subject for young readers, this noted non-fiction author describes the intimate details of an unusual trial. Illegal immigrants are exploited through extortion and violence in a way of life hidden from most Americans and not often prosecuted. In this case, a kidnapper is held to account for his part in holding a Chinese immigrant for ransom from his family. The question uppermost is the actual identity of the perpetrator. Having followed the case inside the courtroom and conducted interviews with many of the protagonists, Kuklin is able to offer direct quotations from the transcripts, the presiding judge, the assistant district attorney, the defense lawyer, the detectives, and some members of the jury, who give a vivid picture of the case. She also gets into the minds of the people involved as they discuss their strategies, their anxieties, and the pressures that face them: the defense lawyer is passionate in his concern for getting justice for his client; the prosecutor articulates the social responsibility she feels towards the victims. Everyone depicted represents the highest quality of behavior in a criminal courtroom. Short episodic chapters headed by a phrase from the text or a bullet or two that describe the action give the impression of a scene from the TV series Law and Order. In a feature designed not to intrude on the telling, sidebars explain points of law. Notes, a bibliography, and a glossary give suggestions for further reading and additional information on legal terminology. Photographs taken in the courtroom by the author or reproductions of ones introduced into evidence add to the authenticity of the text. A good read and an absorbing look inside a trial by jury. (Nonfiction. 12+)
Pub Date: Jan. 1, 2001
ISBN: 0-8050-6457-5
Page Count: 194
Publisher: Henry Holt
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 2000
For The New Yorker, Hofstadter has taken over the role Calvin Tomkins used to fill—as art chronicler: half critic/half profile- maker. And at this he is very, very good. In the five long pieces collected here—about Jean Helion, Henri Cartier-Bresson, Avigdor Arikha, David Bomberg and the subsequent generation of London painters (Kossof, Kitaj, etc.), and Richard Diebenkorn—he almost negligently scatters brilliant associational perceptions (why, for example, Cartier-Bresson the photojournalist was hardly different from C-B the surrealist: the same ``cretinous voyaging'') while being cannier than most art writers about the varieties and dilemmas—glorious both—of representational painting. He also writes (occasionally he posturingly overwrites) with a genuinely beautiful style. But what is a little disconcerting is the form of the articles: Hofstadter seems to appear in the company of the artists he writes about here not exactly as a journalist but as an instant intimate or friend; there is an air of relaxed offhandedness (``I got to know Richard Diebenkorn in 1986, a few years before he and his wife, Phyllis, moved from Santa Monica to Healdsburg, in northern California. Dick was already sixty-five then but a lot of his strict, formal, well-to-do Protestant background still showed''). This self-conscious relaxation of role carries over as well into what he has to say about the painters: He has scorn finally for the Londoners (``dungeon masters'') on account of their all-or-nothing aesthetic neuroticism and battles with life, while reserving his highest admiration for the artist who, like Diebenkorn, is serious without solemnity. Deflation of high artistic pretension and behavior in favor of pragmatic dilution always has been, editorially, a New Yorker stock-in-trade—and Hofstadter is particularly good at it. But the attractiveness of the interesting men (and most often quite interesting artists too) that he writes about seems finally more about personal style than art.
Pub Date: April 7, 1992
ISBN: 0-395-58111-3
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1992
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