An attractive complement to Eric Carle’s The Mixed-Up Chameleon.
Napoleon, a colorful, “spiffy” chameleon, lives on an equally “spiffy” tree limb and blends in so well with his surroundings the other jungle residents cannot see him.
With his charming personality, Napoleon tries to entice and engage Polly, a squawking parrot, and Mike, a screeching monkey, by waving his arms, weaving a welcome mat, and making funny faces. Much to their fright and distress, the parrot and monkey see only a talking tree. In his final attempt to be recognized, Napoleon stands on his head and eventually slips and falls, so he’s forced to use his sticky tongue to flick and grab hold of the limb. Suddenly everyone is able to see him hanging by his tongue. Polly is impressed by his colors, and Mike admires his swinging. The three become friends through daily visits and games of hide-and-seek. Detailed, vibrant paintings in boldly verdant colors give Napoleon’s rain-forest environment a surrealistic twist. Curved shapes echo the lizard’s bulging eyes, rounded body, bumpy skin, and curling tail, melding kaleidoscopically with his ever changing colors. The well-designed layout draws children into the paintings to search for Polly, Mike, and, of course, Napoleon in each amid abundant insects, mushrooms, ferns, and fungus living and growing on the tree limb.
An attractive complement to Eric Carle’s The Mixed-Up Chameleon. (Picture book. 4-6)Pub Date: Aug. 15, 2017
ISBN: 978-1-58536-378-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the...
In this deceptively spare, very beginning reader, a girl assembles a robot and then treats it like a slave until it goes on strike.
Having put the robot together from a jumble of loose parts, the budding engineer issues an increasingly peremptory series of rhymed orders— “Throw, Bot. / Row, Bot”—that turn from playful activities like chasing bubbles in the yard to tasks like hoeing the garden, mowing the lawn and towing her around in a wagon. Jung crafts a robot with riveted edges, big googly eyes and a smile that turns down in stages to a scowl as the work is piled on. At last, the exhausted robot plops itself down, then in response to its tormentor’s angry “Don’t say no, Bot!” stomps off in a huff. In one to four spacious, sequential panels per spread, Jung develops both the plotline and the emotional conflict using smoothly modeled cartoon figures against monochromatic or minimally detailed backgrounds. The child’s commands, confined in small dialogue balloons, are rhymed until her repentant “Come on home, Bot” breaks the pattern but leads to a more equitable division of labor at the end.
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the rest. (Easy reader. 4-6)Pub Date: June 25, 2013
ISBN: 978-0-375-87083-5
Page Count: 32
Publisher: Random House
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
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