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HE SAID, SHE SAID

Urban-fiction readers will enjoy this, but it will also appeal to any teen reader seeking a romantic read with lots of fun.

A star high school quarterback bets he can get the attention of a girl who claims not to be interested by leading a protest for a cause she champions.

Omar “T-Diddy” Smalls has the swagger that comes with his exalted status. The fact that he has moved to Charleston, S.C., from Brooklyn adds to his aura, and he attracts the attention of every desirable girl at school—except for Claudia Clarke, who calls him “immature, shallow [and a] fraud.” Omar never runs away from a challenge, and he bets his friends that Claudia will become his next conquest. Socially conscious, Claudia is more interested in protesting budget cuts that will wipe out the arts, the library and other school activities—excluding sports—than in Omar. Omar uses his considerable charisma and stories from his activist uncle to lead a successful protest and bring the impending cuts much-needed attention. Through working together, Omar develops genuine feelings for Claudia, and she finds herself drawn to him. Told in alternating chapters by each of the main characters, this lively romance has humor and heart. The use of social media anchors the story in today’s culture, while the banter between Omar and Claudia is clever and sounds just right for two smart, college-bound teens.

Urban-fiction readers will enjoy this, but it will also appeal to any teen reader seeking a romantic read with lots of fun. (Fiction. 14 & up)

Pub Date: Nov. 19, 2013

ISBN: 978-0-06-211896-7

Page Count: 336

Publisher: Amistad/HarperCollins

Review Posted Online: April 24, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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