Next book

SWING

Lively, moving, and heartfelt.

Seventeen-year-old Noah struggles with the feelings he has for Sam, a childhood friend, and is encouraged to express himself by an ebullient buddy.

Noah and his friend Walt Disney Jones, aka Swing, are linked by a love of baseball. Swing is also obsessed with jazz and tries to make Noah a devotee as well. Along with their various personal dramas—Swing’s new stepfather, the romantic advice Noah is receiving—someone has been planting American flags around town, leaving folks to speculate who and why. At a thrift store, Noah purchases a travel bag as a birthday gift for his mother and inside he finds long-hidden love letters. They encourage him to put his feelings on paper, but Swing forces his hand by anonymously giving his writing to Sam, causing a rift between them. Then, out of nowhere, everything changes, and the innocence of their lives is shattered as their friendship troubles are put into perspective by something far more serious. The free verse tells a story as complex as the classic jazz music woven throughout. Noah is the narrator, but it is Swing, with his humor, irresistible charm, and optimism, who steals the spotlight. All the secondary characters are distinctive and add texture to the narrative. Swing is African-American, while Noah is white. Despite the easy flow of verse, there is a density to this story with its multiple elements.

Lively, moving, and heartfelt. (Fiction. 14-18)

Pub Date: Oct. 2, 2018

ISBN: 978-0-310-76191-4

Page Count: 432

Publisher: Blink

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller

Next book

SOLO

A contemporary hero’s journey, brilliantly told.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller

The 17-year-old son of a troubled rock star is determined to find his own way in life and love.

On the verge of adulthood, Blade Morrison wants to leave his father’s bad-boy reputation for drug-and-alcohol–induced antics and his sister’s edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family’s connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess’ skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion.

A contemporary hero’s journey, brilliantly told. (Verse fiction. 14-adult)

Pub Date: Aug. 1, 2017

ISBN: 978-0-310-76183-9

Page Count: 464

Publisher: Blink

Review Posted Online: April 30, 2017

Kirkus Reviews Issue: May 15, 2017

Next book

THE WAY I USED TO BE

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 15, 2015

Kirkus Reviews Issue: Jan. 1, 2016

Close Quickview