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FILTERWORLD

HOW ALGORITHMS FLATTENED CULTURE

Chayka's timely investigation shows how we can reject the algorithms of the digital era and reclaim our humanity.

An important book about how to get out of the algorithmic box and make your own decisions.

Algorithms have become the secret drivers of Google, Instagram, TikTok, and all the other digital platforms, and they are having an insidious impact on how we think, consume, and produce, writes New Yorker staff writer Chayka, author of The Longing for Less. They continually collect data, feeding our past choices—and the preferences of other people—back to us. This process makes endless browsing easy, but it locks us in an echo chamber, slowly degrading our capacity for original thinking. It also affects the physical world, and Chayka offers an intriguing—and distressing—explanation of how all the coffee shops in the world came to look the same, thanks to Instagram and Snapchat. Our world has become filtered and machine-managed, with success measured in engagement metrics. As a remedy, the author offers interesting ideas for regulation, mostly focused on greater transparency. He admits that this would be hard to do, so he offers a more personal path. Undertaking an “algorithmic cleanse,” Chayka jumped off the social media sites that had taken over his life. For a while, he suffered from “fear of missing out,” but eventually, he felt his creativity returning. When he rejoined the online world, he ignored the constant flow of recommendations and looked only for the niches that interested him. During this time, the author discovered that guidance from algorithms is completely unnecessary. “Regaining control isn’t so hard,” writes the author. “You make a personal choice and begin to intentionally seek out your own cultural rabbit hole, which leads you in new directions, to yet more independent decisions…and, ultimately, a sense of self.”

Chayka's timely investigation shows how we can reject the algorithms of the digital era and reclaim our humanity.

Pub Date: Jan. 16, 2024

ISBN: 9780385548281

Page Count: 304

Publisher: Doubleday

Review Posted Online: Oct. 5, 2023

Kirkus Reviews Issue: Nov. 1, 2023

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FOOTBALL

A smart, rewarding consideration of football’s popularity—and eventual downfall.

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A wide-ranging writer on his football fixation.

Is our biggest spectator sport “a practical means for understanding American life”? Klosterman thinks so, backing it up with funny, thought-provoking essays about TV coverage, ethical quandaries, and the rules themselves. Yet those who believe it’s a brutal relic of a less enlightened era need only wait, “because football is doomed.” Marshalling his customary blend of learned and low-culture references—Noam Chomsky, meet AC/DC—Klosterman offers an “expository obituary” of a game whose current “monocultural grip” will baffle future generations. He forecasts that economic and social forces—the NFL’s “cultivation of revenue,” changes in advertising, et al.—will end its cultural centrality. It’s hard to imagine a time when “football stops and no one cares,” but Klosterman cites an instructive precedent. Horse racing was broadly popular a century ago, when horses were more common in daily life. But that’s no longer true, and fandom has plummeted. With youth participation on a similar trajectory, Klosterman foresees a time when fewer people have a personal connection to football, rendering it a “niche” pursuit. Until then, the sport gives us much to consider, with Klosterman as our well-informed guide. Basketball is more “elegant,” but “football is the best television product ever,” its breaks between plays—“the intensity and the nothingness,” à la Sartre—provide thrills and space for reflection or conversation. For its part, the increasing “intellectual density” of the game, particularly for quarterbacks, mirrors a broader culture marked by an “ongoing escalation of corporate and technological control.” Klosterman also has compelling, counterintuitive takes on football gambling, GOAT debates, and how one major college football coach reminds him of “Laura Ingalls Wilder’s much‑loved Little House novels.” A beloved sport’s eventual death spiral has seldom been so entertaining.

A smart, rewarding consideration of football’s popularity—and eventual downfall.

Pub Date: Jan. 20, 2026

ISBN: 9780593490648

Page Count: 304

Publisher: Penguin Press

Review Posted Online: Oct. 24, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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