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MIDNIGHT LOOKS GOOD ON YOU

A COLLECTION OF HORROR STORIES

Taut, absorbing tales filled with moody backdrops and creepy turns.

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Characters endure a grim world of serial killers and monsters in this collection of dark stories.

This volume’s title tale follows The Killer, an assassin for hire ready for retirement. He takes a job in Moscow for triple his normal pay, so it’s most certainly a near-impossible hit. But when his client finally provides details, The Killer has trouble believing the gig is legit, as the target may not even be human. Other stories in this horror collection likewise feature an unsavory protagonist, from a serial killer to a child predator and a washed-up, misogynistic Hollywood actor. Many of these somber tales have even bleaker twists. In “No Refund Policy,” for example, William Hill, an apparent religious leader, seems dead set on convincing his followers that his 9-year-old daughter, Violet, is a messiah. It’s an ostensibly humorous notion that quickly becomes unsettling. More than half of the 20 stories here, like “Policy,” are flash fiction. Jones’ concise writing shows how the short form can shine; in only a few pages, he drops well-defined characters into unnerving and sometimes deadly circumstances. One tale reveals how people in a city block respond knowing an apocalyptic bomb is on the way. Another showcases a vicious ongoing war between two sides separated for a surprising and loathsome reason. The author stays grounded in horror despite other genres cropping up; instances of supernatural beings and androids never really take the spotlight. The focus remains on the human element, which proves more monstrous and heartless than anything otherworldly or artificial.

Jones incorporates serious issues into his stories. Most notably, there’s a recurring theme of suicide or characters seemingly prepared to die. One of the more disturbing tales, “When It’s Dark Out,” starts with Crispin Charles meeting 40-something Catherine Keeper in a seedy motel. He has brought a duffel bag that a serial killer would envy, but Catherine is fully aware of it and is still there voluntarily. The author often plays with conventions, especially with killers’ motives for murder (more specific than mere psychopathy). But the collection’s best tales are markedly unconventional. In “A Children’s Story,” the new kid at 10-year-old Phillip Driver’s school is shockingly old. In fact, he has the “pruney” skin and rotten teeth of an aged man, but no one other than Phillip notices this. In a similar vein, “The Night Sky People” concerns the unusual friendship between young adult Eva and much older Kahlo, a man perpetually donning a catsuit. One night, their relationship takes a startling change of direction. The author’s prose teems with active and violent imagery, even in descriptions of a setting: “When she swiveled around, everything about her bedroom felt alien. The edge of the nightstand stuck out like a serrated silver knife in the utensil drawer, eager to pierce flesh. And the ceiling fan in her room hung too low, nearly at neck-chopping level.” Readers will likely devour Jones’ compact book in a single session, but his pithy storytelling and indelible casts will surely linger for some time.

Taut, absorbing tales filled with moody backdrops and creepy turns. (acknowledgements, author bio)

Pub Date: Jan. 24, 2021

ISBN: 978-0-57-883033-9

Page Count: 175

Publisher: Self

Review Posted Online: June 6, 2021

Kirkus Reviews Issue: Aug. 1, 2021

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TO DIE FOR

Fast-moving excitement with a satisfying finish.

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The feds must protect an accused criminal and an orphaned girl.

Maybe you’ve met him before as protagonist of The 6:20 Man (2022): Ex-Army Ranger Travis Devine, who’d had the dubious fortune to tangle with “the girl on the train,” is now assigned by his homeland security boss to protect Danny Glass, who's awaiting trial on multiple RICO charges in Washington state. Devine has what it takes: He “was a closer, snooper, fixer, investigator,” and, when necessary, a killer. These skills are on full display as the deaths of three key witnesses grind justice to a temporary halt. Glass has a 12-year-old niece, Betsy Odom, and each is the other’s only living relative—her parents recently died of an apparent drug overdose. The FBI has temporary guardianship of Betsy, who's a handful. She tells Travis that though she’s not yet 13, she's 28 in “life-shit years.” The financially well-heeled Glass wants to be her legal guardian with an eye to eventual adoption, but what are his real motives? And what happens to her if he's convicted? Meanwhile, Betsy insists that her parents never touched drugs, and she begs Travis to find out how they really died. This becomes part of a mission that oozes danger. The small town of Ricketts has a woman mayor who’s full of charm on the surface, but deeply corrupt and deadly when crossed. She may be linked to a subversive group called "12/24/65," as in 1865, when the Ku Klux Klan beast was born. Blood flows, bombs explode, and people perish, both good guys and not-so-good guys. Readers might ponder why in fiction as well as in life, it sometimes seems necessary for many to die so one may live. And what about the girl on the train? She's not necessary to the plot, but she's a fun addition as she pops in and out of the pages, occasionally leaving notes for Travis. Maybe she still wants him dead. 

Fast-moving excitement with a satisfying finish.

Pub Date: Nov. 12, 2024

ISBN: 9781538757901

Page Count: 432

Publisher: Grand Central Publishing

Review Posted Online: Sept. 14, 2024

Kirkus Reviews Issue: Oct. 15, 2024

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THEN SHE WAS GONE

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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