An unusually full-bodied love story that will wrap itself around the heart of anyone who has been fortunate enough to...
Debut author Johnson enters the literary scene with a beautifully penned eulogy to the Labrador retriever who taught her to appreciate life in the moment while helping open her fractured heart to the joys of love.
By the time Johnson was ready to bring a puppy into her life, she had shouldered a lion’s share of emotional baggage: she lost her mother to cancer at an early age, was abandoned by the father of her unplanned baby (given up for adoption), and had freed herself from an unhappy marriage. Along the way, she became a jet pilot. She had hung up her wings and taken a well-paying job (as an unspecified federal agent) and was about to purchase a new house. “It was time for a black lab.” Even before Barkley was old enough to leave the litter, he picked Johnson out to be his mother. As the other puppies ran around frolicking over new people and smells, Barkley sat quietly and studied her. Then he made his decision, coming over to check out her shoelaces, never leaving her side. This memoir is the story of the 10 years Johnson and Barkley shared. But it is much more. Johnson’s writing borders on the lyrical, her prose meandering gently to and fro through a lifetime of recollections and musings, always coming back to rest in the safe harbor of the love, trust, and protectiveness she and Barkley had for one another. She’s a fan of lengthy, free-flowing sentences, and some readers may occasionally wait a bit impatiently for her to put aside the philosophizing and return to Barkley. He was always there—the inspiration for her thoughts, the validation that life is worth living. And there are plenty of Barkley tales to satisfy. Right up front, readers will know they need a box of tissues: the book opens just after Barkley has died. So buck up for this tender work full of humor and charming misbehavior.
An unusually full-bodied love story that will wrap itself around the heart of anyone who has been fortunate enough to experience life with a dog.Pub Date: July 21, 2014
ISBN: 978-1478734345
Page Count: 254
Publisher: Outskirts Press Inc.
Review Posted Online: Jan. 2, 2015
Kirkus Reviews Issue: March 1, 2015
Review Program: Kirkus Indie
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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