PEAK

Barlow concludes her trilogy with a battle between a killer who can resurrect the dead and the ultimate evil.

Jack Harper grew up in a cult that trained her to kill. Her adoptive father, Cyrus, built a network of evil to do the bidding of the Builder, a manipulative creature that feeds off the world’s ills. Now free of Cyrus, Jack plans to take on the Builder, pitting her ability to control those she kills against its own formidable powers. Joining her is a group of “ferrics,” the Builder’s ancestral enemies, and among them is Lutin, who gave Jack her resurrection talent. While Jack and Lutin are “two halves of the same heart,” not all of the ferrics trust her. As the group travels to the Builder’s otherworldly domain, betrayal is in the offing. Strange events ensue, including translocation and a plan that involves “godsoul,” a healing miracle substance doled out by the Guardian. In a last-ditch effort to eliminate innocence from the world, the Builder uses Jack’s brother to unleash a pandemic. With humanity at stake, will Jack run out of maneuvers to halt the Builder’s hunger? Barlow ends the Jack Harper trilogy with more of what hooked fans from the start—inventive plotting, consistently high stakes, and emotional realism. Jack still shoots her way out of most situations without blinking, but Patrick also kills this time, and he feels that his “heart had been disfigured.” In several surreal moments, readers get closer than ever to the Builder, whose “blank face changes. A mouth forms. Lips. Teeth. It smiles.” The author acknowledges the difficulties wrought by Covid-19 in lines like “the virus...eats the tiniest bit of godsoul from each person.” The winning theme that runs through the series, emphasized in the final volume, is that positive change is possible.

Echoes of real world events bring deeper darkness, and brighter light, to Barlow’s finale.