Jayd is wearing white in honor of her marriage to her spiritual mother Oshune, but, as she observes in her introductory...

SO, SO HOOD

From the Drama High series , Vol. 14

In the 14th volume of Divine's wildly popular Drama High series, newly initiated voodoo priestess Jayd Jackson begins her senior year.

Jayd is wearing white in honor of her marriage to her spiritual mother Oshune, but, as she observes in her introductory journal entry, her mind is as much on the mundane as on the divine. An incriminating cell phone picture suggests her boyfriend Jeremy is cheating, and Jayd avoids and fights with Jeremy and swaps choice words with “that broad.” Her friends Mickey, Rah and Nigel, along with the two young children in their care, move in together (“I know it's strange for some of my friends to be parents going into our senior year of high school,” Jayd opines in a refreshingly nonjudgmental aside, “but that's how it is sometimes”), and Jayd is the first to hear when money troubles arise and treacherous exes show up. In the meantime, Jayd's archnemesis Misty is becoming a vampire, a turn of events the author weaves comfortably into the book's voodoo cosmology, and Jayd fights Misty and her kin both in dreams and in the physical world.

Pub Date: June 1, 2011

ISBN: 978-0-7582-3119-2

Page Count: 224

Publisher: Dafina/Kensington

Review Posted Online: May 4, 2011

Kirkus Reviews Issue: May 15, 2011

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Heartbreaking, historical, and a little bit hopeful.

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SALT TO THE SEA

January 1945: as Russians advance through East Prussia, four teens’ lives converge in hopes of escape.

Returning to the successful formula of her highly lauded debut, Between Shades of Gray (2011), Sepetys combines research (described in extensive backmatter) with well-crafted fiction to bring to life another little-known story: the sinking (from Soviet torpedoes) of the German ship Wilhelm Gustloff. Told in four alternating voices—Lithuanian nurse Joana, Polish Emilia, Prussian forger Florian, and German soldier Alfred—with often contemporary cadences, this stints on neither history nor fiction. The three sympathetic refugees and their motley companions (especially an orphaned boy and an elderly shoemaker) make it clear that while the Gustloff was a German ship full of German civilians and soldiers during World War II, its sinking was still a tragedy. Only Alfred, stationed on the Gustloff, lacks sympathy; almost a caricature, he is self-delusional, unlikable, a Hitler worshiper. As a vehicle for exposition, however, and a reminder of Germany’s role in the war, he serves an invaluable purpose that almost makes up for the mustache-twirling quality of his petty villainy. The inevitability of the ending (including the loss of several characters) doesn’t change its poignancy, and the short chapters and slowly revealed back stories for each character guarantee the pages keep turning.

Heartbreaking, historical, and a little bit hopeful. (author’s note, research and sources, maps) (Historical fiction. 12-16)

Pub Date: Feb. 2, 2016

ISBN: 978-0-399-16030-1

Page Count: 400

Publisher: Philomel

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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Not much forward momentum but a tasty array of chills, thrills, and chortles.

A MAP OF DAYS

From the Peculiar Children series , Vol. 4

The victory of Jacob and his fellow peculiars over the previous episode’s wights and hollowgasts turns out to be only one move in a larger game as Riggs (Tales of the Peculiar, 2016, etc.) shifts the scene to America.

Reading largely as a setup for a new (if not exactly original) story arc, the tale commences just after Jacob’s timely rescue from his decidedly hostile parents. Following aimless visits back to newly liberated Devil’s Acre and perfunctory normalling lessons for his magically talented friends, Jacob eventually sets out on a road trip to find and recruit Noor, a powerful but imperiled young peculiar of Asian Indian ancestry. Along the way he encounters a semilawless patchwork of peculiar gangs, syndicates, and isolated small communities—many at loggerheads, some in the midst of negotiating a tentative alliance with the Ymbryne Council, but all threatened by the shadowy Organization. The by-now-tangled skein of rivalries, romantic troubles, and family issues continues to ravel amid bursts of savage violence and low comedy (“I had never seen an invisible person throw up before,” Jacob writes, “and it was something I won’t soon forget”). A fresh set of found snapshots serves, as before, to add an eldritch atmosphere to each set of incidents. The cast defaults to white but includes several people of color with active roles.

Not much forward momentum but a tasty array of chills, thrills, and chortles. (Horror/Fantasy. 12-14)

Pub Date: Oct. 2, 2018

ISBN: 978-0-7352-3214-3

Page Count: 496

Publisher: Dutton

Review Posted Online: Sept. 2, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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