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I RODE FOR THE WIGGLIN' W

A FLYNN MCGUIN TALL TALE MEMOIR

A unique and delightful modern Western that’s more City Slickers than True Grit.

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In this debut novel, Harder brings a sharp, folkloric sensibility and plenty of humor to the not-so-wild West of 1970s Wyoming.

In 1977, Flynn McGuin is thrilled to be hopping a westward bus from Mudrock, Missouri, to travel to his new gig as a ranch hand. At the Wigglin’ W Ranch in Annelida, Wyoming, he’ll be able to rope and ride—and it’ll get him away from his depressing job in charge of a parking lot that no one uses. But instead of finding hard, honest work and the ideal of cowboy brotherhood, he finds a bizarre, ongoing feud, a reputedly violent foreman, and fellow workers who don’t seem to be aware of what century it is, let alone how to run a ranch. He’s ready to leave soon after he arrives, but then he stumbles into a saloon and finds love at first sight with a woman named Jolene. Flynn decides to tough it out, even if it goes against his better judgment. However, he soon makes enemies; meanwhile, his co-workers’ eccentricities get more pronounced, and the object of his affection puts new meaning to the phrase “hard to get.” It’s clear that his cowboy dream is rapidly becoming a comedy of errors. Whether he can make it through the summer is uncertain, but there’ll certainly be laughs along the way. Harder’s prose throughout is solid, and he creates a great first-person narrative voice for Flynn. He portrays him as a fish out of water, but one with plenty of wit behind his observations. As much as the situations provide moments of humor, Flynn’s perspective is a vital element that makes the depiction of cow-hating ranch owners and other players really pop. Many other humorists might have exhausted the wild and crazy characters after only a few short jabs about their particular eccentricities, but Harder’s steady pacing keeps things fresh and engaging throughout. All-in-all, the novel is fast, fun, and a little disorienting—a bull ride that readers aren’t likely to forget.

A unique and delightful modern Western that’s more City Slickers than True Grit.

Pub Date: Aug. 7, 2017

ISBN: 978-1-5391-0226-7

Page Count: 232

Publisher: SeedInSoil Creative

Review Posted Online: June 1, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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