The novel hobbles itself with excessive details, but Lance’s journey is a lively, satisfying one.

SEEDS IN THE CONCRETE

CHANGE YOUR PERCEPTION, CHANGE YOUR REALITY

Debut author Joevon presents an urban novel about an aspiring songwriter’s quest to transcend his surroundings.

When the reader first meets Lance Adams, he’s not happy. Lance wrote a smash song for the rapper J-Money and, although Lance received $10,000 for his efforts, he feels he deserves more (“He’s making MILLIONS off of my LIFE!”). As the reader learns, Lance’s life certainly makes for good hip-hop copy. He grew up in the Marcus Garvey Projects in Brooklyn surrounded by drug abuse and violence. He spent three years in prison and is quick to throw a punch. Now that he’s a free man, he dreams of making music and spends long hours at Barnes & Noble writing lyrics. At the bookstore, he meets the thoughtful Ayana, and they eventually have a son together. Lance looks to be on the right path, but his old troubles haunt him. His is a world where slighting the wrong person can end poorly, and drugs can drain resources and end lives in a flash. Lance points out the stupidity of stealing an iPhone, saying that the $700 phone isn’t worth the risk: “A crackhead can smoke that away in ten seconds!” Halfway through the story, following an incident with a gun, Lance enters a strange realm where he is taught various life lessons. He emerges as someone who has journeyed to the recesses of his own mind. He also emerges as a very different person. The excitement for the reader comes in finding out how Lance will succeed now that he is both physically and mentally changed. And there is plenty of excitement to be had: bullets fly, egos collide, and music is made even if the storyline sometimes sags with mundane details, including Polonius-like advice Lance gives his young son about borrowing money. The reader need not know so many specifics, but the payoff is with the protagonist. Lance is often down but will he ever be out? It’s a question that keeps the story moving until the very end.

The novel hobbles itself with excessive details, but Lance’s journey is a lively, satisfying one.

Pub Date: April 25, 2017

ISBN: 978-1-5136-1473-1

Page Count: 380

Publisher: Movement Publishing

Review Posted Online: March 7, 2018

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A love letter to the power of books and friendship.

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THE GIVER OF STARS

Women become horseback librarians in 1930s Kentucky and face challenges from the landscape, the weather, and the men around them.

Alice thought marrying attractive American Bennett Van Cleve would be her ticket out of her stifling life in England. But when she and Bennett settle in Baileyville, Kentucky, she realizes that her life consists of nothing more than staying in their giant house all day and getting yelled at by his unpleasant father, who owns a coal mine. She’s just about to resign herself to a life of boredom when an opportunity presents itself in the form of a traveling horseback library—an initiative from Eleanor Roosevelt meant to counteract the devastating effects of the Depression by focusing on literacy and learning. Much to the dismay of her husband and father-in-law, Alice signs up and soon learns the ropes from the library’s leader, Margery. Margery doesn’t care what anyone thinks of her, rejects marriage, and would rather be on horseback than in a kitchen. And even though all this makes Margery a town pariah, Alice quickly grows to like her. Along with several other women (including one black woman, Sophia, whose employment causes controversy in a town that doesn’t believe black and white people should be allowed to use the same library), Margery and Alice supply magazines, Bible stories, and copies of books like Little Women to the largely poor residents who live in remote areas. Alice spends long days in terrible weather on horseback, but she finally feels happy in her new life in Kentucky, even as her marriage to Bennett is failing. But her powerful father-in-law doesn’t care for Alice’s job or Margery’s lifestyle, and he’ll stop at nothing to shut their library down. Basing her novel on the true story of the Pack Horse Library Project established by the Works Progress Administration in the 1930s, Moyes (Still Me, 2018, etc.) brings an often forgotten slice of history to life. She writes about Kentucky with lush descriptions of the landscape and tender respect for the townspeople, most of whom are poor, uneducated, and grateful for the chance to learn. Although Alice and Margery both have their own romances, the true power of the story is in the bonds between the women of the library. They may have different backgrounds, but their commitment to helping the people of Baileyville brings them together.

A love letter to the power of books and friendship.

Pub Date: Oct. 8, 2019

ISBN: 978-0-399-56248-8

Page Count: 400

Publisher: Pamela Dorman/Viking

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: Aug. 1, 2019

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Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

MAGIC HOUR

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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