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NEBULA

A charming tale of space-based adventure.

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Debut author Sees delivers an exuberant YA sci-fi novel.

Seventeen-year-old Ree Lindbergh is part of the 300-person crew of the starship Omega Centauri, patrolling the edge of the Milky Way galaxy. Their mission is to prevent further hostilities between humans and the shape-shifting Bufoanthroids from the neighboring Andromeda galaxy. Although Ree is happy enough spending her days in the company of her best friend, Zac, and dreaming of one day seeing the planet Earth, she’s still troubled. Every night she has nightmares about her dead mother, who was killed by Bufoanthroids on the day Ree was born. When Zac and his ship vanish, Ree undertakes a dangerous rescue mission. As she unravels mysteries and faces dangers, she learns the truth about her own past—and discovers feelings she’s never had before. The novel’s characters are well-developed and true to their types; Ree is a very relatable Everygirl with a far more interesting personality than, say, Twilight’s Bella Swan. Her first-person narration and dialogue are clear and entertaining (“[T]he familiar smell of sweet saskatoon berries, tangy yet tart, reheated freeze-dried goodness, and hot, gooey pizza consumed my nostrils”). As befits a novel written by an educator, the prose is clean and professional; the action scenes are a bit sparse, but the conclusion of the story promises more to come. The novel’s worldbuilding is pure, glorious space opera in the classic style: Starships warp away to patrol and invade entire galaxies, and characters listen to voice-activated radio broadcasts while discussing the history of the Worldwide Space Federation. There’s enough detail to establish the setting and flesh out the story, but the author leaves it open-ended enough that sequels are almost mandatory. Sees demonstrates a quiet sense of fun to go along with all the YA adventure and romance; notably, one particular line of dialogue (“If you want to kiss a frog and hope he turns into a prince…then go ahead”) underlines a running pun throughout the novel: The Bufoanthroids’ name appears to be a combination of the Latin bufo (“toad”) and anthropo (“human”).

A charming tale of space-based adventure.

Pub Date: March 17, 2014

ISBN: 978-0615930596

Page Count: 412

Publisher: Centauri Publishing Group

Review Posted Online: June 5, 2014

Kirkus Reviews Issue: July 1, 2014

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MARSHALL THE MIRACLE DOG

An enjoyable picture book that addresses important issues in a kid-friendly way without being preachy.

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Willenbrock’s heartwarming debut picture book is the autobiographical story of how she came to share her home with a special shelter dog.

Told from the perspective of Marshall, Willenbrock’s dog, this tale tells of his unpleasant life in the home of a dog hoarder, where food for the dogs was so scarce that they fought each other at mealtime. In one of these fights, Marshall’s front leg was broken and his face was badly bitten. When animal rescuers finally found out about the animal hoarder and took the dogs away, Marshall was in such sorry shape that they didn’t know if he would make it. He ended up losing his damaged front leg and his face remained badly scarred, yet he describes the compassion of the humane society workers who helped him learn how to walk and run on three legs. He meets his new “mom” (owner) and adjusts to a life of freedom with her and her other dog, Mooshy. Though life is good, Marshall is insecure and nervous about how other dogs and people will react to the fact that he has only three legs and a big scar on his face, but he’s pleasantly surprised by the kindness of others. Heimbaugh’s realistic colored-pencil illustrations help bring Marshall’s story to life. Due to wordiness and the use of some bigger words—celebrity, socialize, limitations—this book will most likely work better as a read-aloud with school-age children. It also lends itself to discussions about the humane treatment of animals and discussions about bullying.

An enjoyable picture book that addresses important issues in a kid-friendly way without being preachy.

Pub Date: Jan. 1, 2012

ISBN: 978-0615666259

Page Count: 40

Publisher: The Marshall Movement

Review Posted Online: Oct. 9, 2012

Kirkus Reviews Issue: Nov. 15, 2012

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THE GIRLS OF OAK COURT

DEATH AT WHITFORD POND

Unanswered questions and heavy-handed writing drain intrigue from this not-so-spooky story.

Three friends unravel old secrets lurking beneath the surface of a picture-perfect town in this young adult mystery.

Fallon and her best friend, Blair, live in the town of Whitford, a “sort of old fashioned” place where “everyone knows everyone else.” Nothing ever goes wrong there, except for local 16-year-old girls’ penchant for drowning in Whitford Pond on their 16th birthdays. That is, nothing ever goes wrong until Blair, Fallon and their new friend Lila start investigating the drownings as part of a history project. Soon after the girls paddle out to the spooky island at the middle of the pond where its victims are buried, Fallon discovers that she’s related to the pond’s first victim: Elizabeth Mason, who was engaged to the prosperous son of the town jeweler before her supposed suicide in 1750. By poking around the town historical society and badgering Fallon’s lively grandmother, Nana, the girls realize that something sinister lurks beneath Whitford’s bucolic surface. It’s only when the trio heads to the fourth floor of Whitford’s public library in search of A Genealogy of the Noble Families of Whitford: A History that they realize their quest is putting them in danger. Blair and Fallon’s friendship feels comfortable and credible, although the addition of “exotic” Lila seems like a strained plot device rather than a real-life event. Indeed, much of the plotting is convenient rather than clever; the girls’ discoveries primarily result from pushing Nana to give them information or snooping around Nana’s house—and the developments that aren’t related to Nana are foreshadowed so heavily that they come as no surprise. Another distraction: Every time that the inhabitants of Whitford scream or emphasize a turn of phrase, Fredo uses capital letters. They’re are unnecessary, for example, when Fallon says, “I JUST HAD THE BEST IDEA EVER!”

Unanswered questions and heavy-handed writing drain intrigue from this not-so-spooky story.

Pub Date: N/A

ISBN: N/A

Page Count: 172

Publisher: iUniverse

Review Posted Online: Oct. 26, 2012

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