A useful enough guide to some aspects of sexuality and related topics.
Internet personality and debut author Green gives readers a jam-packed guide to human sexuality.
Initial information about anatomy and a brief stopover in identity-based questions soon transition to the nitty-gritty of sex, relationships, and related topics, including consent culture (possibly the most interesting section) and kink. This tome contains a lot of information to take in at once. “Since you may encounter topics in this book in a different order IRL than they’re presented here, you’re invited to skip around. However,” says Green optimistically, “reading it cover to cover will provide ~maximum impact~.” It also skips around in tone, going from eye-glazing scientific descriptions to a chatty, faux-sisterly style heavily peppered with up-to-the-moment meme-speak that will quickly render it dated (the white author includes liberal dashes of AAVE). Despite the emphasis on remaining nonjudgmental, hints of authorial finger-wagging subtly creep through, like a description of some sex as “a liiiittle too rough” or instructions to “be proactive” after an abortion “and find a reliable birth control method that works for you to prevent another unplanned pregnancy.” Attempts to use gender-neutral language are only somewhat consistent, and an introductory note—“Should any of the language in this book not resonate with your experience, please know this is not meant to confuse or invalidate anyone”—does little to lessen the possible impact of confusing or invalidating language.
A useful enough guide to some aspects of sexuality and related topics. (Nonfiction. 16-adult)Pub Date: Sept. 25, 2018
ISBN: 978-0-06-256097-1
Page Count: 528
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
For The New Yorker, Hofstadter has taken over the role Calvin Tomkins used to fill—as art chronicler: half critic/half profile- maker. And at this he is very, very good. In the five long pieces collected here—about Jean Helion, Henri Cartier-Bresson, Avigdor Arikha, David Bomberg and the subsequent generation of London painters (Kossof, Kitaj, etc.), and Richard Diebenkorn—he almost negligently scatters brilliant associational perceptions (why, for example, Cartier-Bresson the photojournalist was hardly different from C-B the surrealist: the same ``cretinous voyaging'') while being cannier than most art writers about the varieties and dilemmas—glorious both—of representational painting. He also writes (occasionally he posturingly overwrites) with a genuinely beautiful style. But what is a little disconcerting is the form of the articles: Hofstadter seems to appear in the company of the artists he writes about here not exactly as a journalist but as an instant intimate or friend; there is an air of relaxed offhandedness (``I got to know Richard Diebenkorn in 1986, a few years before he and his wife, Phyllis, moved from Santa Monica to Healdsburg, in northern California. Dick was already sixty-five then but a lot of his strict, formal, well-to-do Protestant background still showed''). This self-conscious relaxation of role carries over as well into what he has to say about the painters: He has scorn finally for the Londoners (``dungeon masters'') on account of their all-or-nothing aesthetic neuroticism and battles with life, while reserving his highest admiration for the artist who, like Diebenkorn, is serious without solemnity. Deflation of high artistic pretension and behavior in favor of pragmatic dilution always has been, editorially, a New Yorker stock-in-trade—and Hofstadter is particularly good at it. But the attractiveness of the interesting men (and most often quite interesting artists too) that he writes about seems finally more about personal style than art.
Pub Date: April 7, 1992
ISBN: 0-395-58111-3
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The textured perspective that emerges in candid and quirky interviews with gay, lesbian, and bisexual youth is marred by a reductive approach to sexuality. Journalist Chandler follows six teenagers over a few years, through crucial points in their coming-out processes. (The book grew out of a series of articles he wrote for the Minneapolis Star- Tribune.) Attempting to give a broad overview of the sexual- minority youth experience, Chandler devotes some chapters to the young people's (and, in some cases, their parents') personal stories and some to broad generalities about homosexuality and young people. The teens' narratives are often powerful; though there is a good share of coming-out clichÇs (``I always felt different,'' ``She was always such a tomboy,'' etc.), the author also includes the kinds of particularities that bring such stories to life. One girl, for instance, takes her mother to a gay nightclub so she can see what it's like; in another celebratory family moment, a father delights his daughter and her friends by joining them in a raucous lesbian-sex joke-telling session. Chandler, who is heterosexual, negotiates the diversity of queer youth culture more open-mindedly than most mainstream journalists, neither avoiding nor reviling drag queens, tattooed girls, and shirtless young women at pride marches. Unfortunately, the Homosexuality 101 sections are simplistic; in a chapter called ``The Roots of Homosexuality,'' Chandler reassures his readers ad nauseam that gay people do not ``choose'' to be gay and that an individual's essential sexual identity is fixed and unchangeable. Chandler's approach to homosexuality has the effect of unnecessarily distancing these kids from readers, who he seems to assume are straight and have never questioned their heterosexuality. The personal narratives here are compelling, but unfortunately, Chandler seems determined not to let his readers identify with his subjects. (Author tour)
Pub Date: Sept. 1, 1995
ISBN: 0-8129-2380-4
Page Count: 384
Publisher: Times/Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
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