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NOTES ON SILENCING

A powerful, topical, and incisive memoir.

A novelist’s account of how she struggled to come to terms with a traumatic sexual assault that the boarding school she attended actively tried to cover up.

Crawford entered the prestigious St. Paul’s School when she was 14. The daughter of socially ambitious upper-middle-class parents who believed in “the value of education,” she immediately felt out of place among her privileged, preternaturally sophisticated classmates. On the first day of school, she discovered that many of her age-mates already had older lovers whom they visited without their parents’ knowledge. Other aspects of St. Paul’s—racism, social hierarchies, and faculty sexual harassment of female students—also disturbed the author, who was diagnosed with clinical depression, but left her parents “unmoved.” The year after she started, Crawford was forced to perform oral sex on two popular senior athletes who threatened to report her for breaking school curfew. She developed a bleeding sore throat the school infirmary diagnosed as stemming from canker sores. Crawford later learned that the school doctor had actually noted she suffered from herpetic lesions. Branded overnight as a “whore” by fellow students, the author soon found herself excluded from female peer groups and scornfully pursued for sex by male students. When her parents became involved, school administrators told them that the “encounter…had been consensual,” implied that Crawford already had herpes, and threatened to destroy her Ivy League future if she did not remain silent. Even after detectives found proof of the school’s wrongdoing more than 20 years later, Crawford’s case was dropped because St. Paul’s influence extended deep into New Hampshire state government. Trenchant in its observations about the unspoken—and often criminal—double standards that adhere in elite spaces, Crawford’s courageous book is a bracing reminder of the dangers inherent in unchecked patriarchal power.

A powerful, topical, and incisive memoir.

Pub Date: July 14, 2020

ISBN: 978-0-316-49155-6

Page Count: 400

Publisher: Little, Brown

Review Posted Online: April 19, 2020

Kirkus Reviews Issue: May 15, 2020

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I'M GLAD MY MOM DIED

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

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The former iCarly star reflects on her difficult childhood.

In her debut memoir, titled after her 2020 one-woman show, singer and actor McCurdy (b. 1992) reveals the raw details of what she describes as years of emotional abuse at the hands of her demanding, emotionally unstable stage mom, Debra. Born in Los Angeles, the author, along with three older brothers, grew up in a home controlled by her mother. When McCurdy was 3, her mother was diagnosed with breast cancer. Though she initially survived, the disease’s recurrence would ultimately take her life when the author was 21. McCurdy candidly reconstructs those in-between years, showing how “my mom emotionally, mentally, and physically abused me in ways that will forever impact me.” Insistent on molding her only daughter into “Mommy’s little actress,” Debra shuffled her to auditions beginning at age 6. As she matured and starting booking acting gigs, McCurdy remained “desperate to impress Mom,” while Debra became increasingly obsessive about her daughter’s physical appearance. She tinted her daughter’s eyelashes, whitened her teeth, enforced a tightly monitored regimen of “calorie restriction,” and performed regular genital exams on her as a teenager. Eventually, the author grew understandably resentful and tried to distance herself from her mother. As a young celebrity, however, McCurdy became vulnerable to eating disorders, alcohol addiction, self-loathing, and unstable relationships. Throughout the book, she honestly portrays Debra’s cruel perfectionist personality and abusive behavior patterns, showing a woman who could get enraged by everything from crooked eyeliner to spilled milk. At the same time, McCurdy exhibits compassion for her deeply flawed mother. Late in the book, she shares a crushing secret her father revealed to her as an adult. While McCurdy didn’t emerge from her childhood unscathed, she’s managed to spin her harrowing experience into a sold-out stage act and achieve a form of catharsis that puts her mind, body, and acting career at peace.

The heartbreaking story of an emotionally battered child delivered with captivating candor and grace.

Pub Date: Aug. 9, 2022

ISBN: 978-1-982185-82-4

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 30, 2022

Kirkus Reviews Issue: July 1, 2022

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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