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HIJAB BUTCH BLUES

A MEMOIR

A hopeful and uplifting memoir.

A queer Muslim writer and organizer chronicles a life navigating between religion and culture.

Lamya H faced discrimination throughout childhood and adolescence for being an immigrant in a “rich Arab country.” She felt invisible—even evil—just like the spirits called jinn. At 14, she wanted to disappear—not just because she felt different, but also because she understood the possible ramifications of her burgeoning sexuality. “Gay is a hush-hush thing, not to be talked about seriously, only to be used as an insult,” she writes. The Quranic story of Maryam, who “doesn’t like men,” gave the author courage, but when she began wearing hijab to honor Maryam, non–hijab-wearing girls dismissed her. As a Muslim college student in the U.S., Lamya faced constant scrutiny and discovered that Black and other immigrant friends endured similar mistreatment. “I notice that people who are white or appear to be white are on top of the pyramid here,” she writes, “just like they were in the country where my parents and brother still live, that sometimes this category of ‘appears to be white’ includes wealthy, worldly, light-skinned Arabs.” Professional life in New York brought the author into contact with a group of mostly straight Muslim feminists who helped her refine a nonbinary vision of God but could not offer her a truly inclusive space. Remembering Muhammad’s mission to build a “community of believers,” Lamya forged a circle of queer and nonbinary social justice activists, found life mentors among a group of LGBTQ+ Muslims, and unexpectedly fell in love with a White woman. Their relationship helped Lamya understand the importance of focusing on “curious, kind dialogue and to support those I love—instead of fighting to fend off racists, sexists, homophobes, transphobes, [and] Islamophobes.” As the author examines her evolving relationship to her religion, she also vibrantly explores what it means to live with an open-minded, open-hearted activist seeking to change the world for the better.

A hopeful and uplifting memoir.

Pub Date: Feb. 7, 2023

ISBN: 9780593448762

Page Count: 304

Publisher: Dial Press

Review Posted Online: Dec. 6, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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  • New York Times Bestseller

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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LOVE, PAMELA

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

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The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 5, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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