by Lani Guinier & Michelle Fine & Jane Balin ‧ RELEASE DATE: April 7, 1997
A look at how women are seduced and betrayed by our top law schools, by Clinton's controversial ex-nominee for assistant attorney general for civil rights Guinier (Law/Univ. of Penn.; The Tyranny of the Majority, 1994) and two colleagues. Although women are matriculating at America's law schools in record numbers, they consistently underperform compared to their male classmates. According to this study of 981 male and female students at the elite University of Pennsylvania Law School between 1987 and 1992, female law students receive lower grades, achieve lower class ranks, earn fewer awards and honors, and take less prestigious jobs than males. Even more troubling, the women law students interviewed by Guinier, et al., report that the culture of law school, which ``emphasizes aggressiveness, legitimizes emotional detachment and demands speed,'' robs them of their ``voices,'' alienates and demoralizes them, and even endangers their mental health (as one woman put it: ``Guys think law school is hard, and we just think we're stupid''). The authors come down particularly hard on the so-called ``Socratic method'' used in most law school teaching; the ``ritualized combat'' of the technique silences many women whose learning styles are better suited to the cooperative environment of smaller-scale seminars, and teaches little more than ``how to ask rude questions.'' This brief study is hugely persuasive but sometimes a bit vague: Exactly what are the career options available to J.D.s who refuse to ask ``rude questions''? Exactly what are the long-term effects of three miserable postgraduate years? Occasionally, the focus is too narrow; for example, is it possible that women law graduates fail to take public-interest jobs not because they've been coopted by macho, corporate-friendly law-school culture, but because they need lucrative jobs to pay off staggering law-school debts? Despite the sometimes conclusory nature of the analysis, an important and startling work by a provocative national figure. (Author tour)
Pub Date: April 7, 1997
ISBN: 0-8070-4404-0
Page Count: 208
Publisher: Beacon Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1997
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by John Carey ‧ RELEASE DATE: April 21, 2020
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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