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12 DAYS OF CHRISTMAS

Encore!

A veritable holiday feast for the eyes.

Hawthorne’s illustrations have a busy, folk-art style that will invite readers to pore over pages to find the animals, items, and people named in this old Christmas carol. Foil detailing on the cover art adds festive flair to the book’s design, but readers who associate Christmastime with wintry scenes will not find snowy landscapes here. An abundant use of light green in the grounds around the country house where the action unfolds lends a fresh feel to the picture book, perhaps offering a reminder that people in warm climes and in the Southern Hemisphere celebrate Christmas, too. Also welcome is the artist’s inclusion of a multiracial cast of people in later verses. Readers are invited to play an I spy sort of game with the pages, seeking out everything from the single partridge in a pear tree to the 12 drummers drumming at the book’s end. In most cases, the art, like the song itself, is cumulative in its presentation, though a marvelously spare double-page spread illustrating “five gold rings” eschews the finely detailed, more-distant scenes to instead present a close-up view of hands holding those rings laid out on small cloth decorated in red, green, and blue. This visual pause evokes the slower pace of that line in the song, clearly demonstrating the thoughtfulness with which Hawthorne approached her illustration.

Encore! (full lyrics, author’s note, game) (Picture book. 2-12)

Pub Date: Oct. 6, 2020

ISBN: 978-0-7112-4540-2

Page Count: 32

Publisher: Frances Lincoln

Review Posted Online: Aug. 17, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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LITTLE BLUE TRUCK'S CHRISTMAS

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...

The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.

The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.

Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)

Pub Date: Sept. 23, 2014

ISBN: 978-0-544-32041-3

Page Count: 24

Publisher: HMH Books

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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