by Lara Marks ‧ RELEASE DATE: June 1, 2001
A rich, multifaceted, sometimes confusing story—but Marks tells it well, yielding a solid work of social and technological...
A comprehensive account of the origins and fortunes of a 20th-century landmark: the Pill.
Many previous studies of oral contraceptives claim them to be a North American contribution to world culture. But according to Marks (History of Medicine/Univ. of London), the Pill had many parents: European sex-hormone researchers early in the last century (whose work with steroids led to a new understanding of the reproductive process), refugee scientists who brought that research to American laboratories after fleeing totalitarian regimes, Mexican pharmaceutical laboratories, and a few homegrown eccentrics like Russell Marker (whose work with a Central American wild yam vine in the 1940s led to the first synthesis of progesterone, which in turn allowed North American pharmaceutical manufacturers to break the European monopoly on sex-hormone production). These international forebears helped spread the Pill to a broad world market, although with unintended consequences: marketed at first largely to older married women who had already had children, it soon became the contraceptive of choice for a younger crowd, a development that helped touch off the Sexual Revolution. It had other implications as well, and it even sparked theological controversy—especially within the Catholic Church, where a papal encyclical banning the use of oral contraceptives met with widespread defiance and marked a sudden decline in papal power. (Marks notes that in the wake of this latter-day schism “the number of Catholics who believed that the Pope derived his authority directly from Jesus declined between 1963 and 1974 from 70 to 42 percent.”) Although manufacturers hoped that the Pill would be a panacea for the problem of world overpopulation, the countries that needed it most (such as India) rejected it for religious and ideological reasons, while the arrival of AIDS lessened the use of oral contraceptives in other countries (even as the Pill proved efficacious in battling certain cancers).
A rich, multifaceted, sometimes confusing story—but Marks tells it well, yielding a solid work of social and technological history.Pub Date: June 1, 2001
ISBN: 0-300-08943-0
Page Count: 400
Publisher: Yale Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2001
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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