TEN LITTLE DUMPLINGS

A girl with 10 brothers claims her place in both the family narrative and the world at large.

Amid a pastoral Taiwanese setting, this picture book opens with a male-centered viewpoint touting the super specialness of a family blessed with 10 sons, whom their parents call “little dumplings,” because dumplings are “auspicious, / Bringing prosperity and success.” (Dumplings’ oval shape intentionally resembles yuanbao—gold or silver ingots that were real currency in imperial China for over two millennia, a fact not, alas, shared in the author’s note. The brothers’ similar sizes also conjure the “Ten Brothers” legend in Chinese popular culture, which is.) Seemingly larger than life, these 10 brothers lack individuality when portrayed as a unit, doing “everything together” and becoming “ten fine men”—a desirable outcome that nonetheless hints at an in-group mentality that can marginalize those who do not conform. Readers need to look closely to find the girl Wume cleverly hides in each double-page spread: She dons the iconic school-uniform hat and is part of the action even when obscured. Then the perspective shifts: First writing herself into the story by forming 女 (female) with a calligraphy brush, she eventually, deftly reframes the narrative to assert: “I was there too.… // I listened. // I studied. // I learned.” Eventually, she becomes a mother and celebrates her personal fortune for having a “wonderful girl”—her very own “little dumpling.”(This book was reviewed digitally.)

Stepping out of the shadows: a gentle, persuasive #ownvoices take on a hitherto-untold perspective.