St. Patrick’s Day will never be the same; beware, though: leprechauns who aren’t caught often take revenge by making messes.
Devious young scientists, engineers, and crafters will be solidly occupied with the 16 traps, three snacks, and 10 leprechaun tricks that are described here.
Each project comes with a level of difficulty, leprechaun appeal meter, list of materials, its STEAM connection (in a separate box listing topics touched upon and extensions), and numbered steps. The STEAM connections vary widely. Too many of the early projects that involve a stick propping up a trap lid have the same STEAM connection. Later projects, including a Leprechaun Run and a Marshmallow Catapult that talk about potential and kinetic energy and a Marshmallow Bridge that is heavy on the engineering piece, have more solid STEAM connections. “Did You Know” featurettes offer fascinating facts: Ireland has more sheep than people, and leprechauns used to wear red, not green. Readers will know to call a grown-up when they see the words “adult supervision” underlined in the directions, which also include “messy alerts.” The artwork is a mix of photographs, line drawings, and cartoons. Only two completed projects are photographed; the rest are digital illustrations. While this allows kids scope for their imaginations, some may need more help with the steps than the cartoons provide (particularly with the catapult). Photos show an array of diverse children working on the projects, although the disembodied hand holding scissors shown frequently is always white.
St. Patrick’s Day will never be the same; beware, though: leprechauns who aren’t caught often take revenge by making messes. (Nonfiction. 4-10)Pub Date: Feb. 1, 2018
ISBN: 978-1-4926-6388-1
Page Count: 96
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Dec. 2, 2017
Kirkus Reviews Issue: Jan. 1, 2018
BOOK REVIEW
Pass.
The traditions and history of one of Mexico’s most important holidays are introduced in this latest of Eliot’s Celebrate the World series.
From setting up the flower-festooned altars to decorating the calaveras, the preparations depicted involve entire communities over several weeks. Characters in cowboy hats, sombreros, and baseball caps place the final touches on skeletons in full lucha libre regalia or spangled mariachi outfits. However, instead of accurately using Mexico’s name for the holiday, Día de Muertos, Eliot uses the English back-translation, “Día de los Muertos,” as is common in the U.S. even though the story evidently takes place in Mexico. Also, aside from stating that the celebration “is an ancient tradition,” there is no mention of its Indigenous, pre-European/Christian roots nor does the book actively distinguish between Día de Muertos and Halloween. The first-person narration vacillates between child and adult perspectives. “We do all this to celebrate the beauty of life and death rather than mourn it.” Gutierrez’s mixed-media illustrations are convulsive, crowded panes of frenetic activity. Exaggerated facial features border on stereotypical caricatures—snouts and bug eyes abound. Contributing to the crowded page design is the unfortunate choice of board rather than picture-book format. Consequently, the initial perception is that this series is geared toward toddlers, when it is the school-age child who would most benefit from the information in this book.
Pass. (Board book. 4-7)Pub Date: July 24, 2018
ISBN: 978-1-5344-1515-7
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 15, 2018
Kirkus Reviews Issue: Jan. 1, 2019
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for.
An overview of the modern African-American holiday.
This book arrives at a time when black people in the United States have had intraracial—some serious, some snarky—conversations about Kwanzaa’s relevance nowadays, from its patchwork inspiration that flattens the cultural diversity of the African continent to a single festive story to, relatedly, the earnest blacker-than-thou pretentiousness surrounding it. Both the author and consultant Keith A. Mayes take great pains—and in painfully simplistic language—to provide a context that attempts to refute the internal arguments as much as it informs its intended audience. In fact, Mayes says in the endnotes that young people are Kwanzaa’s “largest audience and most important constituents” and further extends an invitation to all races and ages to join the winter celebration. However, his “young people represent the future” counterpoint—and the book itself—really responds to an echo of an argument, as black communities have moved the conversation out to listen to African communities who critique the holiday’s loose “African-ness” and deep American-ness and moved on to commemorate holidays that have a more historical base in black people’s experiences in the United States, such as Juneteenth. In this context, the explications of Kwanzaa’s principles and symbols and the smattering of accompanying activities feel out of touch.
A good-enough introduction to a contested festivity but one that’s not in step with the community it’s for. (resources, bibliography, glossary, afterword) (Nonfiction. 5-8)Pub Date: Sept. 5, 2017
ISBN: 978-1-4263-2849-7
Page Count: 40
Publisher: National Geographic Kids
Review Posted Online: Oct. 27, 2017
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