This reimagined telling has an engaging charm that rings true.
An imagining of an unlikely real-life episode in the life of absurdist Franz Kafka.
Theule follows the outline of the account: When Kafka meets an unhappy girl in a Berlin park in 1923 and learns her doll is lost, Kafka writes a series of letters from Soupsy, the doll, to Irma, the girl. The real letters and the girl’s identity have been lost to history; the invented letters describe a dazzling variety of adventures for Soupsy. Unfortunately, as the letters increase in excitement, Kafka’s health declines (he would die of tuberculosis in June 1924), and he must find a way to end Soupsy’s adventures in a positive way. In an author’s note, readers learn that Kafka chose to write that Soupsy was getting married. Theule instead opts to send the doll on an Antarctic expedition. Irma gets the message that she can do anything, and the final image shows her riding a camel, a copy of Metamorphosis peeking from a satchel. While kids may not care about Kafka, the short relationship between the writer and the little girl will keep their interest. Realizing that an adult can care so much about a child met in the park is empowering. The stylized illustrations, especially those set in the chilly Berlin fall, resemble woodcuts with a German expressionist look. The doll’s adventures look a little sweeter, with more red and blue added to the brown palette of the German scenes. (This book was reviewed digitally with 10.5-by-17-inch double-page spreads viewed at 23% of actual size.)
This reimagined telling has an engaging charm that rings true. (biographical note, bibliography) (Picture book. 5-7)Pub Date: March 9, 2021
ISBN: 978-0-593-11632-6
Page Count: 48
Publisher: Viking
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
An upbeat introduction to the scrappy origins of a little-known bit of American musical history.
Drawing from the little that’s known about Emile “Stalebread Charlie” Lacoume, Mahin presents a fictionalized story about the homeless New Orleanian boys who innovated “spasm band” music, considered one of jazz’s precursors.
In 1895, Stalebread and pal Warm Gravy, both white, live in Storyville, which “smelled like trash and looked like trouble.” The boys steal to eat, constantly dodging the coppers. Hearing a trio playing one night, Stalebread hatches an idea. “Gravy! We’ll start a band. We’ll never be hungry again!” With an old stovepipe to sing through and a pebble-filled can to shake, the boys debut their rhythms—to the neighborhood’s general disdain. “No one liked their music. Not even the alley cats.” A boy called Cajun (the band’s sole kid of color) joins up with his “comb-made kazoo.” Pennywhistler Monk is next, followed by kids on washboard, spoons, and cigar-box fiddle. Though more often chased off than cheered, the boys’ luck finally turns when they bravely improvise for patrons at Mac’s Restaurant and Saloon. Mahin’s jaunty narrative uses occasional rhyme, and onomatopoeic words scroll through in arcing display type. Illustrator Tate’s note mentions finding supporting research for his intentional visual diversity: Among the diverse denizens of Storyville, he depicts a black cop. The text ends abruptly, but Mahin’s note adds lively details.
An upbeat introduction to the scrappy origins of a little-known bit of American musical history. (craft activity) (Picture book. 5-7)Pub Date: July 10, 2018
ISBN: 978-0-547-94201-8
Page Count: 40
Publisher: Clarion Books
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
With ingenuity and good will, sticks and stones can be turned to better uses than breaking bones—but the tale demands...
Cavemen compare rocks, try to top each other, finally invent fun game.
“This Dave. / Dave love rock. / … / Dave’s rock bigger” than Jon’s rock. But “Jon’s rock faster” when thrown. Both pick up new rocks, with unsatisfactory results. Then Jon suggest both carve rocks into same round shape and Dave add hole in middle—make fine game tossing at upright stick! Jon and Dave go off arm in arm. Considering that Preston-Gannon starts the episode off with a quote from Mark Twain (“Name the greatest of all the inventors: accident”), the stilted language (carried over from Dave’s Cave, 2018) seems particularly affected, and the two light-skinned cave guys, with their Flintstones-style animal skins and shaggy manes (Dave’s, for some reason, is green) certainly are. Still, it’s salutary to see an escalating conflict resolved in an amicable, even creative way, and a bit of wordless byplay in which a set of forest creatures invent a wheeled scooter with the discarded game pieces adds a droll finish. The diagrams the animals draw in the dirt make an especially funny counterpoint to the dialogue.
With ingenuity and good will, sticks and stones can be turned to better uses than breaking bones—but the tale demands readers who are patient with cavespeak. (Picture book. 5-7)Pub Date: Feb. 12, 2019
ISBN: 978-1-5362-0271-7
Page Count: 32
Publisher: Nosy Crow
Review Posted Online: Nov. 25, 2018
Kirkus Reviews Issue: Dec. 15, 2018
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