Heartfelt, yet so threadbare of fresh material that it hardly merits even article-length treatment. (Photographs, 60-minute...
Radio newsman Kane may have been the only journalist to travel with the Beatles on all the stops of their 1964–65 tour, but this recounting offers little more than a chronology of screams and adulation.
Kane was 21 and a Florida radio reporter when he got the break to join the first Beatles tour of America, which he understands to have been “the greatest tour in rock-and-roll history . . . an event of great musical and social magnitude.” He writes that he approached the task with a degree of cynicism, as well as with anxiety and frustration, but he soon stands agog at the arena crowds—“rows and rows of hyperactivity”—and at the desperate acts fans would commit to get near the Fab Four: crawling through hotel air ducts, charging police officers, hoping one of the jellybeans they hurled at the musicians would hit home and thus achieve a form of contact. At times, Kane tries to put the Beatles within some sociological context—“a simmering youthful unrest and defiance against the establishment”—but mostly recounted here are the performers’ daring and absurd escapes from the concert hall, the sexual liaisons after the shows (“Getting women into the hotels required somebody with the power to do so. The Beatles couldn’t just wait around in the lobby for someone to show up!”), and Kane’s amazement that these were just four regular guys: “Their casual everyman’s view of life, coupled with their soulful music, endeared them to a whole generation.” What could have made all this hum—Kane’s unhindered access for interviews—instead provides much of its most inane material. “Kane: Hi, Ringo, how are you? Ringo: All right, Larry. How are you? Kane: Pretty good. A lot of magazines and portraits of you depict you as being very sad. You’re not a sad person, are you?”
Heartfelt, yet so threadbare of fresh material that it hardly merits even article-length treatment. (Photographs, 60-minute CD of interviews)Pub Date: Sept. 1, 2003
ISBN: 0-7624-1592-4
Page Count: 256
Publisher: Running Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2003
BOOK REVIEW
An extraordinary true tale of torment, retribution, and loyalty that's irresistibly readable in spite of its intrusively melodramatic prose. Starting out with calculated, movie-ready anecdotes about his boyhood gang, Carcaterra's memoir takes a hairpin turn into horror and then changes tack once more to relate grippingly what must be one of the most outrageous confidence schemes ever perpetrated. Growing up in New York's Hell's Kitchen in the 1960s, former New York Daily News reporter Carcaterra (A Safe Place, 1993) had three close friends with whom he played stickball, bedeviled nuns, and ran errands for the neighborhood Mob boss. All this is recalled through a dripping mist of nostalgia; the streetcorner banter is as stilted and coy as a late Bowery Boys film. But a third of the way in, the story suddenly takes off: In 1967 the four friends seriously injured a man when they more or less unintentionally rolled a hot-dog cart down the steps of a subway entrance. The boys, aged 11 to 14, were packed off to an upstate New York reformatory so brutal it makes Sing Sing sound like Sunnybrook Farm. The guards continually raped and beat them, at one point tossing all of them into solitary confinement, where rats gnawed at their wounds and the menu consisted of oatmeal soaked in urine. Two of Carcaterra's friends were dehumanized by their year upstate, eventually becoming prominent gangsters. In 1980, they happened upon the former guard who had been their principal torturer and shot him dead. The book's stunning denouement concerns the successful plot devised by the author and his third friend, now a Manhattan assistant DA, to free the two killers and to exact revenge against the remaining ex-guards who had scarred their lives so irrevocably. Carcaterra has run a moral and emotional gauntlet, and the resulting book, despite its flaws, is disturbing and hard to forget. (Film rights to Propaganda; author tour)
Pub Date: July 10, 1995
ISBN: 0-345-39606-5
Page Count: 432
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1995
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The memoir of George Dawson, who learned to read when he was 98, places his life in the context of the entire 20th century in this inspiring, yet ultimately blighted, biography. Dawson begins his story with an emotional bang: his account of witnessing the lynching of a young African-American man falsely accused of rape. America’s racial caste system and his illiteracy emerge as the two biggest obstacles in Dawson’s life, but a full view of the man overcoming the obstacles remains oddly hidden. Travels to Ohio, Canada, and Mexico reveal little beyond Dawson’s restlessness, since nothing much happens to him during these wanderings. Similarly, the diverse activities he finds himself engaging in—bootlegging in St. Louis, breaking horses, attending cockfights—never really advance the reader’s understanding of the man. He calls himself a “ladies’ man” and hints at a score of exciting stories, but then describes only his decorous marriage. Despite the personal nature of this memoir, Dawson remains a strangely aloof figure, never quite inviting the reader to enter his world. In contrast to Dawson’s diffidence, however, Glaubman’s overbearing presence, as he repeatedly parades himself out to converse with Dawson, stifles any momentum the memoir might develop. Almost every chapter begins with Glaubman presenting Dawson with a newspaper clipping or historical fact and asking him to comment on it, despite the fact that Dawson often does not remember or never knew about the event in question. Exasperated readers may wonder whether Dawson’s life and his accomplishments, his passion for learning despite daunting obstacles, is the tale at hand, or whether the real issue is his recollections of Archduke Ferdinand. Dawson’s achievements are impressive and potentially exalting, but the gee-whiz nature of the tale degrades it to the status of yet another bowl of chicken soup for the soul, with a narrative frame as clunky as an old bone.
Pub Date: Feb. 1, 2000
ISBN: 0-375-50396-X
Page Count: 288
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1999
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