Courtly prose and amiable digressions distinguish this study of what some may not consider a serious topic: tourism. Canadian journalist and filmmaker Krotz (Creative Writing/Univ. of Manitoba) travels through such locales as Germany, Africa, Belize, and North Dakota to explore the ``loaded'' terms ``tourist'' and ``traveler.'' In the 19th century, the term ``tourist'' referred to peripatetic groups of the elite who traveled around Europe visiting museums. The pioneering travel agent Thomas Cook saw his tours as an example of democracy in action, opening up the world to the working classes. The word ``traveler'' derived from ``travail,'' or work, and refers to a serious or adventurous endeavor. Things have gone downhill, Krotz says: Nowadays, tourism suggests a greedy industry capitalizing on ``hedonism, self-indulgence, and self- absorption.'' He surveys travel and tourism from a broad perspective; more than just a diversion or adventure, these pursuits are a part of our culture, accounting for one in nine jobs and affecting education, entertainment, and the arts. Another element animating Krotz's inquiry is the idea that travel and tourism can be made responsible, encompassing ``reciprocation and exchange.'' Among other programs, he cites Canadian futurist Louis D'Amore's International Institute for Peace Through Tourism, which is working to make tourism a process that sustains, rather than destroys, a host country's culture. Krotz makes a hopeful case for the future, though it's hard to match his enthusiasm for the subject. Most lasting and pungent are his observations—on Club Med, the ongoing principle of the class system in travel, his heartfelt visit to his ancestral home in Germany, and the reasons for traveling: ``Travel is not the way for us to forget or deny who we are; it should be, rather, a means of reminding us.'' For sly social criticism of tourism, try Fussell or Eco; this is too earnest to compete. But if you want to look at this mass phenomenon seriously, here is the place to start.
Pub Date: Dec. 1, 1996
ISBN: 0-571-19893-7
Page Count: 238
Publisher: Faber & Faber/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1996
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
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