THE BALLOT BOY

A historical fable of Venetian politics becomes a queer bildungsroman in this debut romance and series launch.

In the lush world of 14th-century Venice, Niccolò “Nico” Saltano is little more than a young peasant. That is, until the Venetian leadership fatefully plucks the 14-year-old from his place in life to serve as the “ballot boy”—an attendant of sorts to the new doge and also the person in charge of counting the ballots in the doge’s election. One doge dies and another must take office, ushering Nico into the Doge’s Palace and his new life in the Venetian court, waiting to count ballots for the latest Venetian ruler. Unwilling to show up for the final tally, Andrea Contarini is the ultimate reluctant victor to be elected as new doge, and he and Nico form an unlikely bond and alliance as members of the palace brought against their will. The court politics and political intrigue are interesting, but they’re often relegated to the background as other, even more interesting, drama unfolds outside the palace walls. Behind the Venetian rules and niceties is a society that is cruel and homophobic—being gay is a capital offense. The heart of the novel is a coming-of-age story in period dress that follows Nico’s coming to terms with his own sexuality—and the danger that it may bring him. Mellman’s tale shines when it interrogates the ways sex and gender impact the lives of ordinary people, as when the cast reflects on the public execution of a “sodomite” or when, in the very beginning of the book, a character named Alex reveals that she regularly wears male drag. Alex is one of the book’s most compelling characters—a figure from Nico’s past life in the streets of Venice whose class position and tendency to act like a “beggar boy” get her into trouble. If any fault could be had with the novel, it’s that Mellman leaves Alex’s fate ambiguous. Of course, readers will just have to come back for more.

Absorbing political machinations and sexual tension collide to hook readers.