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HOLLER, CHILD by LaToya Watkins Kirkus Star

HOLLER, CHILD

by LaToya Watkins

Pub Date: Aug. 29th, 2023
ISBN: 9780593185940
Publisher: Tiny Reparations

Eleven searingly alive stories about Black men and women from West Texas explore the ways remorse and resentment can coexist in secrecy.

The opening story, “The Mother,” carries an emotional wallop while setting up the collection’s theme through the voice of a self-proclaimed “old junkie whore” forced to face troubling memories about her role in shaping her long-abandoned son, a cult leader who claimed to be the Messiah and led his mostly white followers to commit mass suicide. The title story, another tour de force, also concerns a single mother, who must decide how far she’ll go to protect her “good kid” after he’s accused of a violent act not unlike one she suffered but keeps secret. Children, in person or memory, haunt these pages, beloved even when sources of grief. For mothers, of course, but in a refreshing turn, Watkins also pays serious attention to the importance of paternal love. After the death of his infant son in “Dog Person,” a father’s problematic attachment to his Great Dane—animals play symbolic roles throughout—obscures the secret betrayals destroying his once-perfect marriage. In “Tipping,” a woman almost overlooks her dead husband’s cheating and lying because he was a loving stepfather. Watkins’ protagonists want to rise above traumatic childhoods but fear, often correctly, that they are failing as parents and spouses. The politics of race are a given in these stories, and equally important are the socioeconomic differences—money, social status, education—that cause divisions difficult to surmount. “Cutting Horse” is an aria about the doomed attempts of a “part gangster, part cowboy” to reinvent himself for his genteel accountant wife. Watkins powerfully depicts unsustainable relationships, but she offers solace in the tough-minded love story “Moving the Animal,” about a woman caring for her husband after his stroke. In the final story, “Time After,” a sister’s search for the brother she rejected out of religious rigidity reveals love’s redemptive possibilities.

Granular yet transcendent storytelling.