Despite its lyricism, this odd marriage of spirituality and psychology will be a slog for all but the most devoted New Agers.

MALINCHE

In this brief novel, the author of 1992’s Like Water For Chocolate attempts to repair the reputation of one of Mexican history’s most reviled women, the Spanish conqueror Cortés’s native interpreter, Malinalli.

As a child, Malinalli (aka Malinche) is sold by her mother into slavery but retains her beloved grandmother’s belief in the beneficent pre-Aztec god Quetzalcoatl, whose return (second coming?) would mean the end of the Aztec conqueror Montezuma’s practice of human sacrifice. When Cortés arrives, Malinalli believes he is a savior, if not the god himself, and is happy to put her linguistic skills to use as his translator. She becomes known as “The Tongue.” She allows herself to be baptized, entwining Christian doctrine with her own belief system, but, although she finds herself sexually drawn to Cortés, she begins to suspect that he is not to be trusted to save her people. Nevertheless, she remains his translator, following her instinct for survival despite the possibility she may anger her gods. After Malinalli watches Montezuma give up his kingdom because he has faith in Quetzalcoatl’s return, she realizes that Montezuma has experienced a spiritual transformation but has also made a terrible mistake in placing his faith in Cortés. As Cortés consolidates a murderous stranglehold over Mexico, he becomes more monstrous. Finally, Malinalli breaks with him when he requires her to abandon their son in the same way her mother abandoned her. After Cortés marries her off to his captain, she ends up living a happy life and dying a happy death, at one with the gods. Because Esquivel is less interested in fleshing out the plot than in delineating the belief system of the pre-Aztec civilization, everything that happens to Malinalli is swathed in imagery and deep spiritual significance. In contrast, everything Cortés does is explained as the psychological consequences of his childhood experience.

Despite its lyricism, this odd marriage of spirituality and psychology will be a slog for all but the most devoted New Agers.

Pub Date: May 2, 2006

ISBN: 0-7432-9033-X

Page Count: 160

Publisher: Atria

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: March 1, 2006

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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A unique story about Appalachia and the healing power of the written word.

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THE BOOK WOMAN OF TROUBLESOME CREEK

One of Kentucky’s last living “Blue People” works as a traveling librarian in 1930s Appalachia.

Cussy Mary Carter is a 19-year-old from Troublesome Creek, Kentucky. She was born with a rare genetic condition, and her skin has always been tinged an allover deep blue. Cussy lives with her widowed father, a coal miner who relentlessly attempts to marry her off. Unfortunately, with blue skin and questionable genetics, Cussy is a tough sell. Cussy would rather keep her job as a pack-horse librarian than keep house for a husband anyway. As part of the new governmental program aimed at bringing reading material to isolated rural Kentuckians, Cussy rides a mule over treacherous terrain, delivering books and periodicals to people of limited means. Cussy’s patrons refer to her as “Bluet” or “Book Woman,” and she delights in bringing them books as well as messages, medicine, and advice. When a local pastor takes a nefarious interest in Cussy, claiming that God has sent him to rid society of her “blue demons,” efforts to defend herself leave Cussy at risk of arrest, or worse. The local doctor agrees to protect Cussy in exchange for her submission to medical testing. As Doc finds answers about Cussy’s condition, she begins to re-examine what it means to be a Blue and what life after a cure might look like. Although the novel gets off to a slow start, once Cussy begins traveling to the city for medical testing, the stakes get higher, as does the suspense of the story. Cussy's first-person narrative voice is engaging, laced with a thick Kentucky accent and colloquialisms of Depression-era Appalachia. Through the bigotry and discrimination Cussy suffers as a result of her skin color, the author artfully depicts the insidious behavior that can result when a society’s members feel threatened by things they don't understand. With a focus on the personal joy and broadened horizons that can result from access to reading material, this well-researched tale serves as a solid history lesson on 1930s Kentucky.

A unique story about Appalachia and the healing power of the written word.

Pub Date: May 7, 2019

ISBN: 978-1-4926-7152-7

Page Count: 320

Publisher: Sourcebooks Landmark

Review Posted Online: Feb. 28, 2019

Kirkus Reviews Issue: March 15, 2019

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