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TWENTYONE OLIVE TREES

A MOTHER’S WALK THROUGH THE GRIEF OF SUICIDE TO HOPE AND HEALING

An offbeat and uplifting contribution to the literature of grief.

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A San Francisco–based author confronts the pain of grief and loss following her son’s suicide in this debut collection of memoiristic fables, poetry, and letters.

“My son Blaise was my soul mate and my partner in crime on many adventures,” says Formentini in her introduction. She describes the unique bond the two shared and how they enjoyed world travel together, visiting Cambodia, Lapland, and other far-off locales. She also says that Blaise’s highly sensitive nature, combined with drug addiction, led him to suicide in 2019. In this book, Formentini examines the grief she’s experienced in the hope of finding peace. The collection’s title refers to the 21 olive trees that the author intends to plant—one for each year of her son’s life. The book also includes 21 letters and poems the author wrote to Blaise in the year following his death that describe her grieving process. Each letter is accompanied by a hopeful fable that explores human connection; for instance, “Camel and Spider” tells of two friends separated by desert wind. Formentini’s debut offers insightful, finely textured reflections on the dynamics of grief. Her early poetry is understandably raw and confrontational: “One thing that makes me so pissed off, / is you leaving me like this.” However, as the book progresses, this rage transforms into a sedate spiritual understanding: “That is where I Find You, / In that Light that Shines its Love, / and which has always been at the / Very Core of My Being.” The deeply personal poetry is counterbalanced by the fictional tales, which present broader, more universal truths. The author’s power to move readers is exemplified by the closing of “Camel and Spider” when Camel says, “You’re in the moon. You’re in every grain of sand. I can’t see anything without seeing you, Spider.” Cooper’s full-color illustrations add to the book’s unusual melding of genres. The end result is a tenderly philosophical study that offers hope and solace.

An offbeat and uplifting contribution to the literature of grief.

Pub Date: Jan. 11, 2022

ISBN: 978-1955119061

Page Count: 230

Publisher: Kat Biggie Press

Review Posted Online: Nov. 18, 2021

Kirkus Reviews Issue: Jan. 15, 2022

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CALL ME ANNE

A sweet final word from an actor who leaves a legacy of compassion and kindness.

The late actor offers a gentle guide for living with more purpose, love, and joy.

Mixing poetry, prescriptive challenges, and elements of memoir, Heche (1969-2022) delivers a narrative that is more encouraging workbook than life story. The author wants to share what she has discovered over the course of a life filled with abuse, advocacy, and uncanny turning points. Her greatest discovery? Love. “Open yourself up to love and transform kindness from a feeling you extend to those around you to actions that you perform for them,” she writes. “Only by caring can we open ourselves up to the universe, and only by opening up to the universe can we fully experience all the wonders that it holds, the greatest of which is love.” Throughout the occasionally overwrought text, Heche is heavy on the concept of care. She wants us to experience joy as she does, and she provides a road map for how to get there. Instead of slinking away from Hollywood and the ridicule that she endured there, Heche found the good and hung on, with Alec Baldwin and Harrison Ford starring as particularly shining knights in her story. Some readers may dismiss this material as vapid Hollywood stuff, but Heche’s perspective is an empathetic blend of Buddhism (minimize suffering), dialectical behavioral therapy (tolerating distress), Christianity (do unto others), and pre-Socratic philosophy (sufficient reason). “You’re not out to change the whole world, but to increase the levels of love and kindness in the world, drop by drop,” she writes. “Over time, these actions wear away the coldness, hate, and indifference around us as surely as water slowly wearing away stone.” Readers grieving her loss will take solace knowing that she lived her love-filled life on her own terms. Heche’s business and podcast partner, Heather Duffy, writes the epilogue, closing the book on a life well lived.

A sweet final word from an actor who leaves a legacy of compassion and kindness.

Pub Date: Jan. 24, 2023

ISBN: 9781627783316

Page Count: 176

Publisher: Viva Editions

Review Posted Online: Feb. 6, 2023

Kirkus Reviews Issue: March 1, 2023

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BRAVE ENOUGH

These platitudes need perspective; better to buy the books they came from.

A lightweight collection of self-help snippets from the bestselling author.

What makes a quote a quote? Does it have to be quoted by someone other than the original author? Apparently not, if we take Strayed’s collection of truisms as an example. The well-known memoirist (Wild), novelist (Torch), and radio-show host (“Dear Sugar”) pulls lines from her previous pages and delivers them one at a time in this small, gift-sized book. No excerpt exceeds one page in length, and some are only one line long. Strayed doesn’t reference the books she’s drawing from, so the quotes stand without context and are strung together without apparent attention to structure or narrative flow. Thus, we move back and forth from first-person tales from the Pacific Crest Trail to conversational tidbits to meditations on grief. Some are astoundingly simple, such as Strayed’s declaration that “Love is the feeling we have for those we care deeply about and hold in high regard.” Others call on the author’s unique observations—people who regret what they haven’t done, she writes, end up “mingy, addled, shrink-wrapped versions” of themselves—and offer a reward for wading through obvious advice like “Trust your gut.” Other quotes sound familiar—not necessarily because you’ve read Strayed’s other work, but likely due to the influence of other authors on her writing. When she writes about blooming into your own authenticity, for instance, one is immediately reminded of Anaïs Nin: "And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.” Strayed’s true blossoming happens in her longer works; while this collection might brighten someone’s day—and is sure to sell plenty of copies during the holidays—it’s no substitute for the real thing.

These platitudes need perspective; better to buy the books they came from.

Pub Date: Nov. 1, 2015

ISBN: 978-1-101-946909

Page Count: 160

Publisher: Knopf

Review Posted Online: Aug. 15, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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