edited by Laura Furman ‧ RELEASE DATE: Oct. 14, 2003
Overall, a highly talented lineup—and well worth the asking price.
Eighty-six years, another twenty stories: New series editor Furman, along with judges David Guterson, Diane Johnson, and Jennifer Egan, presents this year’s roundup of prize tales, ranging from the traditional to the experimental, though almost all taking aim at the human heart.
“There is a tendency in short ficion—I feel it when writing myself—to conclude and resolve,” says Egan, but the stories she helped choose seem bonded by a lack of that very tendency. There are as many new names here as familiar ones, among the latter are A.S. Byatt, William Trevor, T. Coraghessan Boyle, Evan S. Connell, William Kittredge, and Tim O’Brien. Standouts include Edith Pearlman’s “The Story,” in which a story of resistance accompanies one course of an annual dinner among friends, this time held at a new restaurant that, like the tale, recalls a different era; Ann Harleman’s “Meanwhile,” a heartbreakingly fragmented account—memos, flyers, crossword puzzles—of a couple trying to save love as one of them descends into the pit of multiple sclerosis; Douglas Light’s “Three Days. A Month. More,” a poetic account of two young Puerto Rican girls contemplating their heritage and overdue bills as they live alone in the apartment their mother has abandoned; an installment from Alice Munro (“Fathers”) about a young man’s experience with a neighbor girl’s hatred of her father and what this tells him of his own father; and the best of the bunch, Denis Johnson’s “Train Dreams,” a borderline novella of a man’s preindustrial life lived entirely in an apocryphal panhandle of northern Idaho. You get the sense that this latest volume, judging from the range of sources sometimes very small (The Idaho Review, Alaska Quarterly Review), is a much better sampling of literature from a single year than usual.
Overall, a highly talented lineup—and well worth the asking price.Pub Date: Oct. 14, 2003
ISBN: 1-4000-3131-1
Page Count: 464
Publisher: Anchor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2003
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edited by Laura Furman
BOOK REVIEW
edited by Laura Furman
BOOK REVIEW
edited by Laura Furman
by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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