In 1915 Laura Ingalls Wilder was 48 and the publication of the first Little House book was seventeen years in the future; in a sense the well loved chronicler of pioneer childhood had not yet been born. The author of these letters home is Mama Bess, a farm wife and occasional contributor to the Missouri Ruralist, who is enthusiastic over the journalist successes of her daughter and hostess Rose Wilder Lane ("the stories in it, although incidents, are true, and actually happened" she says admiringly of one piece), who marvels at the wonders of the San Francisco exposition and is fearful of city traffic. (Justly, it appears, since her sightseeing is cut short by a fall from a streetcar which lands her in the hospital.) Mama Bess is a dutiful, precise observer but her reactions are exactly those of a wide-eyed provincial more impressed by the Exposition's budget than its content: The "northern 'lights" show cost "$40 a minute. . . in salary alone" she reports triumphantly, but the "friendly and good-natured" Navahos receive only passing mention because their (reconstructed) dwellings "smell like wild beast dens and I did not like to be there." And though students of children's literature might be interested to know that Rose Lane gave her mother help with her writing, Mama's greater preoccupation with recouping a loan made to the Lanes can have mattered to no one but husband Manly. That we find these letters only intermittently interesting can hardly be blamed on Mrs. Wilder who intended them for her husband and friends, but at best they serve as an object lesson proving the English composition cliche "write about what you know.
Pub Date: March 1, 1974
ISBN: 0064400816
Page Count: 124
Publisher: Harper & Row
Review Posted Online: Oct. 24, 2011
Kirkus Reviews Issue: March 1, 1974
BOOK REVIEW
BOOK REVIEW
Brief yet inspirational, this story will galvanize youth to use their voices for change.
Testa’s connection to and respect for nature compelled her to begin championing animal causes at the age of 10, and this desire to have an impact later propelled her to dedicate her life to fighting plastic pollution. Starting with the history of plastic and how it’s produced, Testa acknowledges the benefits of plastics for humanity but also the many ways it harms our planet. Instead of relying on recycling—which is both insufficient and ineffective—she urges readers to follow two additional R’s: “refuse” and “raise awareness.” Readers are encouraged to do their part, starting with small things like refusing to use plastic straws and water bottles and eventually working up to using their voices to influence business and policy change. In the process, she highlights other youth advocates working toward the same cause. Short chapters include personal examples, such as observations of plastic pollution in Mauritius, her maternal grandparents’ birthplace. Testa makes her case not only against plastic pollution, but also for the work she’s done, resulting in something of a college-admissions–essay tone. Nevertheless, the first-person accounts paired with science will have an impact on readers. Unfortunately, no sources are cited and the lack of backmatter is a missed opportunity.
Brief yet inspirational, this story will galvanize youth to use their voices for change. (Nonfiction. 12-18)Pub Date: Oct. 13, 2020
ISBN: 978-0-593-22333-8
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: July 26, 2020
Kirkus Reviews Issue: Aug. 15, 2020
Best enjoyed by preexisting fans of the author.
Deaf, trans artist Man meditates on his journey and identity in this brief memoir.
Growing up in conservative central Pennsylvania was tough for the 21-year-old Deaf, genderqueer, pansexual, and biracial (Chinese/White Jewish) author. He describes his gender and sexual identity, his experiences of racism and ableism, and his desire to use his visibility as a YouTube personality, model, and actor to help other young people like him. He is open and vulnerable throughout, even choosing to reveal his birth name. Man shares his experiences of becoming deaf as a small child and at times feeling ostracized from the Deaf community but not how he arrived at his current Deaf identity. His description of his gender-identity development occasionally slips into a well-worn pink-and-blue binary. The text is accompanied and transcended by the author’s own intriguing, expressionistic line drawings. However, Man ultimately falls short of truly insightful reflection or analysis, offering a mostly surface-level account of his life that will likely not be compelling to readers who are not already fans. While his visibility and success as someone whose life represents multiple marginalized identities are valuable in themselves, this heartfelt personal chronicle would have benefited from deeper introspection.
Best enjoyed by preexisting fans of the author. (Memoir. 12-18)Pub Date: June 1, 2021
ISBN: 978-0-593-22348-2
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 24, 2021
Kirkus Reviews Issue: April 15, 2021
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