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PORTRAIT OF PERIL

The plot runs a bit amok, but Rowland’s Victorian London is fascinating and her team of irregulars unmatched.

Why go on a honeymoon when there’s a murderer to catch?

October 1890. The wedding of London crime-scene photographer Sarah Bain and DS Thomas Barrett is interrupted by the discovery of a body in the crypt of St. Peter’s Church. The victim, Charles Firth, has been stabbed in the chest. Sarah’s granted a leave of absence by Sir Gerald Mariner, her boss at the Daily World, to investigate. Her team includes street-wise teenager Mick O’Reilly and her closest friend Lord Hugh Staunton, whose homosexuality has estranged him from his family. Firth specialized in photographing ghosts; when Sarah visits his widow, Leonora, she’s in the process of contacting the dead. One of her friends advises her to help Sarah: “We have to rule out the possibility that the killer is human.” As in Sarah’s first four cases, Rowland’s knack for drollery and colorful characters is on full display. Strangely, the Firths are connected to a case Sarah’s been trying to solve for years: the wrongful conviction of her father, now a fugitive, for a crime committed by her estranged mother. Firth’s Society for Psychical Studies is virulently opposed by the Ladies’ Society for Rational Thought. When Hugh inexplicably disappears and a prominent member of one group is murdered, the probe takes on special urgency.

The plot runs a bit amok, but Rowland’s Victorian London is fascinating and her team of irregulars unmatched.

Pub Date: Jan. 12, 2021

ISBN: 978-1-64385-472-4

Page Count: 304

Publisher: Crooked Lane

Review Posted Online: Sept. 29, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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NONE OF THIS IS TRUE

It's hard to read but hard to look away from.

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  • New York Times Bestseller

When two women who share a birthday meet, a journalist becomes the subject of her own true-crime mystery.

On their 45th birthdays, Josie Fair and Alix Summer meet at a pub and discover they were born not only on the same day, but in the same hospital. Alix is a successful journalist, and Josie convinces Alix that her story is worth telling: Josie met her husband when she was 13 and he was 40. “I can see that maybe I was being used, that maybe I was even being groomed?” she confesses to Alix. “But that feeling of being powerful, right at the start, when I was still in control. I miss that sometimes. I really do. And what I’d like, more than anything, is to get it back.” From this premise Alix creates a Netflix series, Hi! I’m Your Birthday Twin! which investigates Josie’s life as she reconciles what happened to her as a teen and seeks a new path. With the story unfinished, the narrative unfolds in the present tense, with prose that jingles like song lyrics: “He turns to see if the girl is behind him, and sees her wishy-washy, wavy-wavy, in double vision through the glass windows of the hotel.” Alix is both intrigued and repulsed by Josie, but she initially gives her the benefit of the doubt. After all, Alix’s husband, Nathan, has a drinking problem, and Alix knows what it’s like to be reluctant to leave a bad situation. But Josie seems more interested in being part of Alix’s seemingly glamorous life than she is in fixing her own, and when three people end up dead and Alix’s life is turned upside down, the evidence points to Josie—and turns the TV series into a murder mystery. Transcripts from Alix’s interviews alternate with the narrative, offering increasingly varied perspectives on Josie’s story as told by her neighbors, friends, and family members. With so many versions of events, the ending shatters, leaving readers to decide whose is the truth.

It's hard to read but hard to look away from.

Pub Date: Aug. 8, 2023

ISBN: 9781982179007

Page Count: 384

Publisher: Atria

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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HOW TO SOLVE YOUR OWN MURDER

Breezy, entertaining characters and a cheeky premise fall prey to too much explanation and an unlikely climax.

An aspiring mystery writer sets out to solve her great-aunt’s murder and inherit an estate.

Twenty-five-year-old Annie Adams has never met her great-aunt Frances, who prefers her small village to busy London. But when a mysterious letter arrives instructing Annie to come to Castle Knoll in Dorset to meet Frances and discuss her role as sole beneficiary of her great-aunt’s estate, Annie can’t resist. Unfortunately, she arrives to find Frances’ worst fears have come true: The elderly woman—who’s been haunted for decades by a fortuneteller’s prediction that this will happen—has been murdered, and her will dictates that she will leave her entire estate to Annie, but only if Annie solves her killing. It’s a cheeky if not exactly believable premise, especially since the local police don’t seem terribly opposed to it. Annie herself is an engaging presence, if a little too blind to the fact that she could be on the killer’s to-do list. Her roll call of suspects is pleasingly long, including but not limited to the local vicar, a one-time paramour of her great-aunt’s; a gardener who grows a lot more than flowers; shady developers and suspicious friends from Frances’ past; and Saxon, Annie’s crafty rival, who inherits the estate himself if he manages to solve the case first. Annie pieces together clues through readings of Frances’ journal, but the story eventually runs aground on the twin rocks of too much explanation and a flimsy climax. Cute dialogue gives way to lengthy exposition, and by the time Frances’ killer is revealed you may well be ready to leave Annie, Dorset, and Castle Knoll behind for the firmer ground of reality. Fans of cozy mysteries are likely to be more forgiving, but if you cast a skeptical eye toward amateur sleuths, this novel won’t change your mind about them.

Breezy, entertaining characters and a cheeky premise fall prey to too much explanation and an unlikely climax.

Pub Date: March 26, 2024

ISBN: 9780593474013

Page Count: 368

Publisher: Dutton

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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