Poet Kasischke’s second novel (after Suspicious River, 1996) is a mix of the fine and the irritating that glides slowly downward to an airy nothing. Life in suburban Garden Heights, Ohio, becomes at once more exciting and more miserable for teenaged Katrina Connors when she falls in love with classmate and next-door neighbor Phil: the new-found sex is wonderful, but Katrina’s already exceeding-strange mother gets suddenly all the more antagonistic, cruel, and unpredictable—and then disappears entirely, never to be heard from again except for one phone call (or so Kat believes) declaring she—ll never come home again. Good riddance, many a reader will say, to this woman who through boredom, sexual unhappiness, ingrained habit, pure spite, and unmitigated meanness routinely derided her admittedly dull-witted husband (a school administrator named Brock) and did no better by her daughter, choosing her name because “She wanted a cat,” overfondling her in childhood, then manically humiliating her in teenhood when Phil comes on the scene. Nevertheless, Mom’s disappearance triggers a sense of enormous emptiness in Kat (—there are no adjectives for this lightness I feel, this whiteness—) that gets labeled “anxiety disorder,” parallels suburban Ohio’s emptiness itself, and takes her to a psychoanalyst, where—well, where the book’s trouble begins, seeming uncertain where to go next. A year will pass, two, then three; Kat starts college; Phil and Kat break up; we meet eccentric grandmothers, Phil’s mother (she’s blind), Kat’s girlfriends (they smoke, drink, and gossip in the basement), the Detective Scieziesciez (it’s pronounced ’shh-shh-shh—), whom Kat seduces (he’s more manly than Dad), beginning a long affair; and then, and then . . . . Then all will end surprisingly indeed, with Mom, as it happens, never having left home at all, but just, well—chilling out. Ambitious writing in equal parts elegant and excessive, with a psychology that spins out of control and goes poof.
Pub Date: Jan. 1, 1998
ISBN: 0-7868-6366-8
Page Count: 240
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1998
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.
Pub Date: April 5, 1996
ISBN: 0-679-41224-7
Page Count: 304
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1996
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