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SANTA CLAWS

Monster Town is the setting for this mischievously macabre Christmas story, which will appeal to fans of Tim Burton’s The Nightmare Before Christmas. The over-the-top story is told in rhyming couplets that beg to be read aloud in a deep, spooky voice with dramatic pauses for effect. Two monster boys, Mack and Zack, are getting ready for Christmas, decorating with skulls and bones and whipping up some poisonberry pies and eggnog mixed with spider feet for Santa’s treats. Santa Claws is an amorphous figure in a bulging, “blood-red” suit with a snake in his boot and horns poking out around his hat. He arrives by dragon power and leaves plenty of “gross and grisly Christmas toys” around the dead pine tree decorated with eyeballs. Aptly named illustrator Grimly provides watercolor-and-ink illustrations in a muted palette that strike just the right balance: weirdly edgy but not too terribly scary. Additional humor is added to the endpapers and back cover with ads for invented products such as “Vampbell’s Garbage Soup.” A tasty Christmas treat for kids who like their humor gross and their satires snappy. (Picture book. 5-8)

Pub Date: Nov. 1, 2006

ISBN: 0-8118-4992-9

Page Count: 32

Publisher: Chronicle Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2006

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I KNOW AN OLD LADY WHO SWALLOWED A DREIDEL

Fun, in an odd sort of way.

The old folk song is given a Hanukkah spin in a parody that blends Jewish tradition with art appreciation.

The kerchiefed grandma swallows a tiny dreidel placed atop her cream-cheesed bagel by the family cat, setting off the familiar chain of events. She swallows the oil, the latkes, 10 barrels of applesauce, a 20-ton brisket, a “mine full of gelt, before it could melt,” the menorah and candles until she is finally full. A large burp makes her feel better. The silliness, cadence and rhythm of the verse all work with the original tune; it can be a tongue twister at times but will keep kids engaged. “I know an old lady who swallowed a menorah— / A mountainous menorah, while we danced the hora.” Acrylic-based drawings using charcoal, pen and pencil place this bubbe in various scenes taken from classical paintings, providing an educational twist. She appears in comical versions of Munch’s The Scream and Vermeer’s The Milkmaid. The applesauce in a red-and-white can spoofs Andy Warhol’s Campbell Soup Cans, and the menorah is set against the background of van Gogh’s The Starry Night. Adults will see the humor but might wonder about the artist’s point in his note stating that “a new look at famous works of art seemed like the perfect way to help people of all backgrounds enjoy this fresh take on an ancient holiday.”

Fun, in an odd sort of way. (Picture book. 5-8)

Pub Date: Aug. 26, 2014

ISBN: 978-0-439-91530-4

Page Count: 32

Publisher: Levine/Scholastic

Review Posted Online: Aug. 11, 2014

Kirkus Reviews Issue: Sept. 1, 2014

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DUCK AND HIPPO GIVE THANKS

From the Duck and Hippo series , Vol. 3

Empty calories

Hippo dreams of “a good, old-fashioned Thanksgiving.”

It’s not all smooth sailing. Hippo is raking and dreaming of Thanksgiving goodies when Duck plunges into Hippo’s leaf pile and musses it up. When a falling apple bonks Hippo on the head and he then gives it to Duck, Duck thanks him, triggering an invitation to celebrate the day together. The two friends go off to shop and find themselves in mishap after mild mishap, meeting friends and inviting them one by one to Thanksgiving dinner tomorrow. Duck engages in mild tomfoolery, but Hippo maintains his genial calm. That evening, Duck goes back to their friends and suggests that they plan a surprise for Hippo. The next day, Hippo prepares a delicious assortment of traditional (all vegetarian) dishes and then waits for his friends—who show up late with their surprise: more food (eggrolls, sushi, pizza, and peanut-butter–and-jelly tacos), which temporarily puts Hippo out because it “is NOT a good, old-fashioned Thanksgiving feast!” Hippo rapidly gets over himself, and the friends all have a good time. While the message of enjoying fellowship and valuing each individual’s contributions is a worthy one, this meandering tale offers little to chew on in terms of character development or plot. Joyner’s anthropomorphic cartoon animals are cheery, but his illustrations do nothing to give London’s story any depth.

Empty calories . (Picture book. 5-8)

Pub Date: Aug. 21, 2018

ISBN: 978-1-5039-0080-6

Page Count: 32

Publisher: Two Lions

Review Posted Online: July 15, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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