This debut suffers from a few too many clichés but contains important truths about the effects of peer pressure and bullying.

FRIEND REQUEST

A Facebook message dredges up painful secrets from a woman’s past, one that she’s spent decades suppressing.

London freelance interior designer Louise Williams works hard to maintain the life she’s built for herself and her 4-year-old son, Henry. Sure, she doesn’t have many friends and still wishes her ex-husband, Sam, hadn’t left her for another woman. But she’s still safe from her past deeds, which Marshall parcels out to the reader in dribs and drabs through halting flashbacks to Louise’s high school years at Sharne Bay in Norwich. Semipopular by association, the younger Louise stayed on the fringes, loosely tethered to the cool girls by her friendship with sleek Sophie Hannigan. When new girl Maria Weston arrives, Louise thinks the two could be friends. But nasty rumors follow Maria, making her undesirable to the popular clique, so much so that she’s shunned to the point of bullying. Then, on the night of an end-of-year party, things go too far and Maria disappears, presumed dead. Louise takes this tragedy with her as she does everything possible to distance herself from Sharne Bay…until an unexpected Facebook friend request pops up, from Maria Weston. The virtual reappearance of Maria sends Louise into a tailspin as she tries to see if anyone else from Sharne Bay has been contacted. With a high school reunion coming up, Louise debates whether it’s worth attending and confronting her past head-on, as the messages from Maria become more threatening. The unveiling of Maria’s fate and the person or persons responsible is not much of a revelation given Marshall’s unfortunate habit of telegraphing plot twists.

This debut suffers from a few too many clichés but contains important truths about the effects of peer pressure and bullying.

Pub Date: Sept. 5, 2017

ISBN: 978-1-4789-4851-3

Page Count: 384

Publisher: Grand Central Publishing

Review Posted Online: July 4, 2017

Kirkus Reviews Issue: July 15, 2017

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Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...

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THE A LIST

A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.

Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?

Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.

Pub Date: April 2, 2019

ISBN: 978-1-5011-5101-9

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Feb. 19, 2019

Kirkus Reviews Issue: March 1, 2019

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POP GOES THE WEASEL

After a flight in fantasy with When the Wind Blows (1998), Patterson goes to ground with another slash-and-squirm psychokiller page-turner, this one dedicated to “the millions of Alex Cross readers, who so frequently ask, can’t you write faster?” By day, Geoffrey Shafer is a charming, 42-year-old British Embassy paper-pusher with a picture-perfect family and a shady past as an MI-6 secret agent. Come sundown, he swallows a pharmacy of psychoactive pills, gulps three black coffees loaded with sugar, and roams the streets of Washington, D.C., in a battered cab, where, disguised as a black man, he rolls dice to determine which among his black female fares he—ll murder. Afterwards he dumps his naked victims in crime-infested back alleys of black- slum neighborhoods, then sends e-mails boasting of his accomplishments to three other former MI-6 agents involved in a hellish Internet role-playing game. “I sensed I was at the start of another homicide mess,” sighs forensic-psychologist turned homicide-detective Alex Cross. Cross yearns to catch the “Jane Doe murderer” but is thwarted by Det. Chief George Pittman, who assigns sexy Det. Patsy Hampton to investigate Cross and come up with a reason for dismissing him. Meanwhile, Cross’s fiancÇe is kidnaped during a Bermuda vacation, and an anonymous e-mail warns him to back off. He doesn’t, of course, and just when it appears that Patterson is sleep-walking through his story, Cross nabs Shafer minutes after Shafer kills Det. Hampton. During the subsequent high-visibility trail, Shafer manages to make the jury believe that he’s innocent and that Cross was trying to frame him. When all seems lost, a sympathetic British intelligence chief offers to help Cross bring down Shafer, and the other homicidal game-players, during a showdown on the breezy beaches of Jamaica. Kinky mayhem, a cartoonish villain, regular glimpses of the kindly Cross caring for his loved ones, and an ending that spells a sequel: Patterson’s fans couldn’t ask for more.

Pub Date: Oct. 19, 1999

ISBN: 0-316-69328-6

Page Count: 432

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 15, 1999

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