Long on atmosphere, short on answers.
A troubled young woman returns home to Keokuk, Iowa, to reclaim a surprise inheritance and a tortured past in McHugh’s second literary mystery (Weight of Blood, 2015).
Arden Arrowood learns of her paternal grandfather’s legacy just as her life has hit rock bottom. Her family’s historic homestead, Arrowood, her childhood home, had been held in trust for years to keep it away from her feckless father; now he's died, and the house is hers. She leaves Colorado, master’s degree incomplete, with mysterious scars on her arm. Her mother had divorced her father to marry a megachurch pastor and now seems perfectly content wearing outfits from Chico’s and watching QVC. The house has a difficult legacy. In 1994, the Arrowoods’ toddler twin girls went missing from their front yard. Arden, then 8, had briefly left her sisters unattended and thought she saw a yellow sedan speeding off with the towhead twins in the back. Her best friend, Ben, a neighboring child, confirmed her account. A man named Harold Singer was arrested but, due to lack of evidence, was never prosecuted. But Singer’s life was destroyed, and the twins’ bodies were never found. Now, Arden reconnects with her old life, including rekindled feelings for Ben, now a dentist who’s engaged to the former high school prom queen. The kindness of Arrowood’s caretaker, Heaney, who responds to Arden’s frequent calls about leaky plumbing, is tinged with creepiness. Josh Kyle, the founder of a cold-case website called Midwest Mysteries, contacts her. Singer had an unsavory hobby of taking candid photos of young children, and one of these, obtained by Josh, shows the twins, captured in their last moments on Arrowood’s lawn—but Josh thinks the length of the shadows in the pictures might actually prove Singer's innocence. As she ponders possible scenarios, Arden is forced to confront the family dysfunction that predated the crime. Depressed because Arden’s father was having an affair with Ben’s mother, her own mother spent years in a drugged haze. Scenes are dragged out with much description of Keokuk arcana, which distracts from the crime story. The ending is inconclusive in the worst way; in other words, culpability is established—but not addressed.
Long on atmosphere, short on answers.Pub Date: July 5, 2016
ISBN: 978-0-8129-9639-5
Page Count: 288
Publisher: Spiegel & Grau
Review Posted Online: May 2, 2016
Kirkus Reviews Issue: May 15, 2016
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how...
A convicted killer’s list of five people he wants dead runs the gamut from the wife he’s already had murdered to franchise heroine Ali Reynolds.
Back in the day, women came from all over to consult Santa Clarita fertility specialist Dr. Edward Gilchrist. Many of them left his care happily pregnant, never dreaming that the father of the babies they carried was none other than the physician himself, who donated his own sperm rather than that of the handsome, athletic, disease-free men pictured in his scrapbook. When Alexandra Munsey’s son, Evan, is laid low by the kidney disease he’s inherited from his biological father and she returns to Gilchrist in search of the donor’s medical records, the roof begins to fall in on him. By the time it’s done falling, he’s serving a life sentence in Folsom Prison for commissioning the death of his wife, Dawn, the former nurse and sometime egg donor who’d turned on him. With nothing left to lose, Gilchrist tattoos himself with the initials of five people he blames for his fall: Dawn; Leo Manuel Aurelio, the hit man he’d hired to dispose of her; Kaitlyn Todd, the nurse/receptionist who took Dawn’s place; Alex Munsey, whose search for records upset his apple cart; and Ali Reynolds, the TV reporter who’d helped put Alex in touch with the dozen other women who formed the Progeny Project because their children looked just like hers. No matter that Ali’s been out of both California and the news business for years; Gilchrist and his enablers know that revenge can’t possibly be served too cold. Wonder how far down that list they’ll get before Ali, aided once more by Frigg, the methodical but loose-cannon AI first introduced in Duel to the Death (2018), turns on them?
Proficient but eminently predictable. Amid all the time shifts and embedded backstories, the most surprising feature is how little the boundary-challenged AI, who gets into the case more or less inadvertently, differs from your standard human sidekick with issues.Pub Date: April 2, 2019
ISBN: 978-1-5011-5101-9
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: March 1, 2019
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