by Laura Purcell ‧ RELEASE DATE: June 18, 2019
Inspired by an 18th-century murder case involving a milliner and her daughter, Purcell’s slightly flawed novel expertly...
A Victorian do-gooder meets a young seamstress, on trial for murder, who confesses to killing her employer with just a needle and thread.
Wealthy heiress Dorothea Truelove devotes her charitable work to visiting the female inmates of Oakgate Prison. When she receives a note from the prison matron informing her that “we [have] another one,” Dorothea is thrilled because this is her chance to prove her ideas about the science of phrenology. Convinced that a person’s character, including “the propensity to kill," is mapped out on the cranium, she is eager to interview her subject, 16-year-old Ruth Butterham, who stands accused of murdering her mistress, “slowly, by degrees.” With each visit, Ruth tells Dorothea the sad and brutal story of grinding poverty and devastating loss that led to her involuntary servitude and appalling abuse at the dressmaking shop of Mrs. Metyard and her daughter, Kate. A talented sewer, Ruth is convinced she has a supernatural ability to kill as she stitches her emotions into the garments she makes. Of her victims, some were accidents, she tells Dorothea, but others she hated, like Rosalind Oldacre, her tormentor from school, and the abusive Metyards. The rational Dorothea believes Ruth is lying, but the girl's phrenological profile reveals a “wonderfully retentive memory" and a tendency toward honesty. Meanwhile, Dorothea, who is secretly being courted by police constable David, must fend off her widowed father’s efforts to betrothe her to Sir Thomas Biggleswade. Purcell (The Silent Companions, 2017) cleverly plays two unreliable narrators off each other here. Ruth is more compellingly drawn, but Dorothea’s obsession with head bumps is downright creepy. Who is the dotty one? Unfortunately, the supporting characters are not as fully fleshed out, primarily serving as plot devices in the novel’s sudden and rather clunky climax.
Inspired by an 18th-century murder case involving a milliner and her daughter, Purcell’s slightly flawed novel expertly threads splashes of Grand Guignol violence with dark gothic atmosphere to make for a chilling and engrossing read.Pub Date: June 18, 2019
ISBN: 978-0-14-313405-3
Page Count: 368
Publisher: Penguin
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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by Susan Crandall ‧ RELEASE DATE: July 2, 2013
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.
Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.Pub Date: July 2, 2013
ISBN: 978-1-4767-0772-3
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 20, 2013
Kirkus Reviews Issue: June 15, 2013
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by Lisa Wingate ‧ RELEASE DATE: June 6, 2017
Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her...
Avery Stafford, a lawyer, descendant of two prominent Southern families and daughter of a distinguished senator, discovers a family secret that alters her perspective on heritage.
Wingate (Sisters, 2016, etc.) shifts the story in her latest novel between present and past as Avery uncovers evidence that her Grandma Judy was a victim of the Tennessee Children’s Home Society and is related to a woman Avery and her father meet when he visits a nursing home. Although Avery is living at home to help her parents through her father’s cancer treatment, she is also being groomed for her own political career. Readers learn that investigating her family’s past is not part of Avery's scripted existence, but Wingate's attempts to make her seem torn about this are never fully developed, and descriptions of her chemistry with a man she meets as she's searching are also unconvincing. Sections describing the real-life orphanage director Georgia Tann, who stole poor children, mistreated them, and placed them for adoption with wealthy clients—including Joan Crawford and June Allyson—are more vivid, as are passages about Grandma Judy and her siblings. Wingate’s fans and readers who enjoy family dramas will find enough to entertain them, and book clubs may enjoy dissecting the relationship and historical issues in the book.
Wingate sheds light on a shameful true story of child exploitation but is less successful in engaging readers in her fictional characters' lives.Pub Date: June 6, 2017
ISBN: 978-0-425-28468-1
Page Count: 352
Publisher: Ballantine
Review Posted Online: March 20, 2017
Kirkus Reviews Issue: April 1, 2017
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by Lisa Wingate
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