BEYOND THAT, THE SEA

Domestic worlds collide when an 11-year-old evacuated from England to the United States during World War II is absorbed into a new family, reconfiguring both its equilibrium and her own.

Spence-Ash’s debut takes a multiperspective approach to one minor wartime decision that impacts multiple lives across time and place—from the 1940s to the 1970s in London, Boston, and on a magical island off the coast of Maine. The last is where the Gregory family spends each summer, as Beatrix Thompson will learn to do too, during the five years, from 1940 to '45, she spends with the Gregorys: parents Ethan and Nancy, sons William and Gerald. Back in Blitz-stricken London, her parents, Reginald and Millie, miss Bea intensely and argue about the wisdom of Reginald’s insistence on her departure. Reginald is a factory worker with “no money in savings at all,” while the Gregorys are “house-rich and dollar poor,” Ethan employed as a teacher. The class divide is just one element to which Beatrix must adapt, but as the daughter Nancy always wanted and a treasured companion to both boys, her new role develops into a positive, enlarging experience for all parties in America. After the war and Beatrix’s return to England, her relationship with the Gregorys begins to drift. And, with the novel's decade-spanning timeline and episodic structure, so does Spence-Ash’s plot momentum. Postwar relationships, children, and deaths occur, accompanied by glimpses of tenderness and connection, but there’s also a hollow restlessness to the narrative, compounded by the sketchiness of some characters, including a major one who disappears without much impact. It’s the women who emerge most vividly from this delicate yet porous story that eventually yields to a predictable conclusion.

A circuitous but sensitive novel from an author to watch.