There's buoyant fun in Van Wormer's (Benedict Canyon, 1992, etc.) shrewd look at the publishing industry in which—after much splashing around—the little fish manages to swallow the big fish. Hillings & Hillings, the finest literary agency in New York, realizes it's under siege when L.A.-based entertainment megaglomerate International Communications Artists impounds their offices after a merger. Gentle, kind (and aged) Dorothy and Henry Hillings are agents from another era—they care about literature and authors—to whom this kind of corporate behavior is unthinkable and upsetting. When the shock of it gives Dorothy a heart attack, Henry takes her to their Long Island manse to recuperate. While she does, Henry and dowager author Millicent Parks prepare for a counterattack by alerting the agency's loyal clients. Authors race to New York from England, Los Angeles, Chicago, and New Jersey, forming a trusty band that swoops into action to defend the Hillingses from evil adversary Creighton Berns, ICA's new CEO. But Berns is a power broker who could damage the careers of several Hillings & Hillings clients with ties to the entertainment industry: Georgiana Hamilton-Ayres, a movie star who lived with the Hillingses as a child; David Aussenhoff, author turned playboy producer; Elizabeth Robinson, an academic who also appears on PBS; Patty Kleczak, suburban housewife and first-time novelist; and Montgomery Grant Smith, a fat but loveable conservative talk-radio personality. When not bickering and sleeping with one another, the plucky gang finds a little time to sleuth and spy on ICA; this is as much a comedy of manners as a thriller. The denouement may be of more interest to industry insiders than others, since it hinges on copyright law and subsidiary rights to an out-of-print book. A novel about warm agents who care and their loyal, altruistic authors: Shelve this as science fiction.
Pub Date: Feb. 1, 1995
ISBN: 0-517-59214-2
Page Count: 352
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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