Striking dreamscapes make this tale about a heroine who can fly a fine first outing in a planned series.

Waterwight

From the The Waterwight Series series , Vol. 1

In this YA adventure, a girl orphaned by global cataclysm searches for a new home, encountering talking animals and discovering she possesses special powers.

It’s been three or four years since The Event, a huge natural disaster with unnatural consequences that no one wants to talk about, including the adults at the orphanage where Celeste Araia Nolan, about 14, now lives. After a strange dream, Celeste decides to run away; in her journey, she meets helpful talking cats and dogs and the dangerous Shifter, an evil being who can take different forms. She also discovers an amazing ability: she can defy gravity, first with leaps and bounds, then by actually flying. From a stony-visaged mountain she calls Old Man Massive, Celeste learns she “must find the key to stopping the advance of the big water” lying southward. This is no normal ocean; it’s pink, gelatinous, reeking, destructive, and still spreading. Celeste flies across, getting a boost from Orville, a talking, winged, French-speaking frog who spoke to her in dreams. On the other side lies a village of children, survivors who have also developed strange powers, controlled by a mysterious Overleader, who punishes rule breakers. As Celeste works to find the key and save her new friends, she will face dangerous tests of her courage and resolve. McHargue (“Miss?”, 2013) taps into dreamscapes with their myth/dream logic very effectively in this entertaining novel. The section where Celeste gets trapped in a seductive fantasy castle—her parents alive, only her favorite foods on the table, every room full of toys and games—is powerfully spooky, reminiscent of Neil Gaiman’s Coraline. Post-apocalyptic YA fiction can be unrelentingly grim, but McHargue brings wit and warmth to this account as well as psychological insights, particularly in developing the Overleader’s character. There’s perhaps too much back and forth from the village to the mountain (Celeste begins to seem like a commuter flight), but the novel’s charms overcome this defect. Readers should want to know what happens next in the Waterwight world.

Striking dreamscapes make this tale about a heroine who can fly a fine first outing in a planned series. 

Pub Date: Feb. 29, 2016

ISBN: 978-0-9969711-0-2

Page Count: 346

Publisher: Alpha Peak

Review Posted Online: May 16, 2016

Kirkus Reviews Issue: July 1, 2016

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A steamy, glitzy, and tender tale of college intrigue.

THE CHASE

From the Briar U series

In this opener to Kennedy’s (Hot & Bothered, 2017, etc.) Briar U romance series, two likable students keep getting their signals crossed.

Twenty-one-year-old Summer Heyward-Di Laurentis is expelled from Brown University in the middle of her junior year because she was responsible for a fire at the Kappa Beta Nu sorority house. Fortunately, her father has connections, so she’s now enrolled in Briar University, a prestigious institution about an hour outside Boston. But as she’s about to move into Briar’s Kappa Beta Nu house, she’s asked to leave by the sisters, who don’t want her besmirching their reputation. Her older brother Dean, who’s a former Briar hockey star, comes to her rescue; his buddies, who are still on the hockey team, need a fourth roommate for their townhouse. Three good-looking hockey jocks and a very rich, gorgeous fashion major under the same roof—what could go wrong? Summer becomes quickly infatuated with one of her housemates: Dean’s best friend Colin “Fitzy” Fitzgerald. There’s a definite spark between them, and they exchange smoldering looks, but the tattooed Fitzy, who’s also a video game reviewer and designer, is an introvert who prefers no “drama” in his life. Summer, however, is a charming extrovert, although she has an inferiority complex about her flagging scholastic acumen. As the story goes on, the pair seem to misinterpret each other’s every move. Meanwhile, another roommate and potential suitor, Hunter Davenport, is waiting in the wings. Kennedy’s novel is full of sex, alcohol, and college-level profanity, but it never becomes formulaic. The author adroitly employs snappy dialogue, steady pacing, and humor, as in a scene at a runway fashion show featuring Briar jocks parading in Summer-designed swimwear. The book also manages to touch on some serious subjects, including learning disabilities and abusive behavior by faculty members. Summer and Fitzy’s repeated stumbles propel the plot through engaging twists and turns; the characters trade off narrating the story, which gives each of them a chance to reveal some substance.

A steamy, glitzy, and tender tale of college intrigue.    

Pub Date: Aug. 6, 2018

ISBN: 978-1-72482-199-7

Page Count: 372

Publisher: CreateSpace

Review Posted Online: Jan. 28, 2019

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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