Striking dreamscapes make this tale about a heroine who can fly a fine first outing in a planned series.
In this YA adventure, a girl orphaned by global cataclysm searches for a new home, encountering talking animals and discovering she possesses special powers.
It’s been three or four years since The Event, a huge natural disaster with unnatural consequences that no one wants to talk about, including the adults at the orphanage where Celeste Araia Nolan, about 14, now lives. After a strange dream, Celeste decides to run away; in her journey, she meets helpful talking cats and dogs and the dangerous Shifter, an evil being who can take different forms. She also discovers an amazing ability: she can defy gravity, first with leaps and bounds, then by actually flying. From a stony-visaged mountain she calls Old Man Massive, Celeste learns she “must find the key to stopping the advance of the big water” lying southward. This is no normal ocean; it’s pink, gelatinous, reeking, destructive, and still spreading. Celeste flies across, getting a boost from Orville, a talking, winged, French-speaking frog who spoke to her in dreams. On the other side lies a village of children, survivors who have also developed strange powers, controlled by a mysterious Overleader, who punishes rule breakers. As Celeste works to find the key and save her new friends, she will face dangerous tests of her courage and resolve. McHargue (“Miss?”, 2013) taps into dreamscapes with their myth/dream logic very effectively in this entertaining novel. The section where Celeste gets trapped in a seductive fantasy castle—her parents alive, only her favorite foods on the table, every room full of toys and games—is powerfully spooky, reminiscent of Neil Gaiman’s Coraline. Post-apocalyptic YA fiction can be unrelentingly grim, but McHargue brings wit and warmth to this account as well as psychological insights, particularly in developing the Overleader’s character. There’s perhaps too much back and forth from the village to the mountain (Celeste begins to seem like a commuter flight), but the novel’s charms overcome this defect. Readers should want to know what happens next in the Waterwight world.
Striking dreamscapes make this tale about a heroine who can fly a fine first outing in a planned series.Pub Date: Feb. 29, 2016
ISBN: 978-0-9969711-0-2
Page Count: 346
Publisher: Alpha Peak
Review Posted Online: May 16, 2016
Kirkus Reviews Issue: July 1, 2016
Review Program: Kirkus Indie
Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.
Pub Date: June 13, 1995
ISBN: 0-399-14059-X
Page Count: 400
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1995
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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