A ponderously paced historical thriller.
A novel from Belfer (City of Lights, 1999) about the race to develop penicillin and other antibiotics during World War II.
Claire, a photographer with Life magazine, is sent to cover a groundbreaking discovery by scientists at Manhattan’s Rockefeller Institute. A mold seems to have generated a lifesaving drug, and doctors at the Institute are testing it on patients suffering from infections. Claire is deeply invested in her assignment—long ago, she lost a daughter to blood poisoning. She’s drawn to Jamie, the handsome doctor administering the trials. Now divorced, single-handedly raising son Charlie and tentatively healing her long estrangement from her Wall Street kingpin father, Rutherford, Claire is shocked when patients on the verge of recovery die—supplies of penicillin, grown haphazardly in bottles and bedpans, are too sparse for a complete course of treatment. When the United States enters the war after Pearl Harbor, pharmaceutical companies, including some still-familiar players like Merck and Pfizer, compete to be the first to mass-produce penicillin. The success of the war effort and, of course, scads of money are at stake. Jamie’s sister Tia, a Rockefeller mycologist, is investigating other antimicrobial agents found in soil, known as penicillin’s “cousins.” Tia has just isolated a particularly promising specimen when she falls from a cliff near the Institute—or was she pushed? The sample she was cataloguing, notable for its startling blue color, disappears. The government, with the cooperation of Life publisher Henry Luce, enlists Claire to document the progress Pharma is making on the penicillin front. Rutherford has an entrepreneurial interest in patentable antibiotics. When Nick, a doctor from an impoverished immigrant background, who had flirted with Tia, offers to sell Rutherford a strikingly cerulean “cousin,” Rutherford bites, but now he’s keeping secrets from Claire. Jamie, who’s engaged to Claire, returns from service in North Africa to find his romance disrupted by the fact that his prospective father-in-law might have ordered his sister’s murder.
A ponderously paced historical thriller.Pub Date: June 15, 2010
ISBN: 978-0-06-125251-8
Page Count: 544
Publisher: Harper/HarperCollins
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: May 15, 2010
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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