by Lauren Chelec Cafritz ‧ RELEASE DATE: June 11, 2019
A wonderfully inviting guide that reminds readers that calm breathing is the center of life itself.
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A debut manual focuses on personal transformation.
This book by Chelec Cafritz is deceptively wide-ranging given its comparatively slim page count, as the author lays out a calmly worded, comprehensive life guide that begins with a series of health mishaps. While tending her new baby, she began to experience severe neck pain; she went to a doctor, who advised her to stop looking up. After years of tolerating this persistent pain, she tried a “gentle” yoga class to help deal with the problem. At these classes, she began to experience terrifying incidents her physician characterized as “anxiety attacks.” And in an attempt to treat those episodes, she went to a “breathworker.” Through “conscious breathing,” Chelec Cafritz formed an entirely new worldview. She describes herself in this manual as having been “high-strung, something of an overachiever” without “a woo-woo bone in my body,” but “conscious breathing” changed her outlook on life. “Each inhalation, each exhalation, can be a pathway to joy, to love, to living a full and authentic life,” she writes. “Each breath links us directly to our minds, our hearts, and our souls. There is no such thing as an unimportant breath.” One strand running throughout the rest of the volume consists of useful advice on how readers can learn breathwork themselves: “Try and create slow, steady calm breaths. Feel the floor under your feet. Feel the back of the chair supporting you.” The other major strand deftly explores the insights that the author gleaned as a result of her practice of conscious breathing. Among other things, the method heightened her awareness of the “numbing” effects of long-standing, unexamined habits. Eventually, she began taking on breathwork clients of her own and included here are some memorably touching anecdotes. Chelec Cafritz’s prose throughout is exuberantly readable, with a wry self-awareness that’s often missing from books of this kind. Even nonpractitioners should find themselves breathing easier for reading these pages.
A wonderfully inviting guide that reminds readers that calm breathing is the center of life itself.Pub Date: June 11, 2019
ISBN: 978-1-73379-554-8
Page Count: 174
Publisher: Warren Publishing, Inc.
Review Posted Online: July 12, 2019
Review Program: Kirkus Indie
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by Elijah Wald ‧ RELEASE DATE: July 25, 2015
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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