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UPTON SINCLAIR

CALIFORNIA SOCIALIST, CELEBRITY INTELLECTUAL

A thoroughly engaging monograph.

Coodley (California: A Multicultural Documentary History, 2008, etc.) claims that Sinclair (1878–1968)—social justice advocate, California gubernatorial candidate and author of the classic The Jungle—deserves to be viewed through a feminist lens.

Unlike most men of his era, Sinclair understood women's issues and advocated effectively for them. Coodley painstakingly explains Sinclair's interactions with his female family members, his wives and various feminists—some of them well-known (e.g., Jane Addams, Margaret Sanger, Helen Keller, Charlotte Perkins Gilman and Elizabeth Gurley Flynn), some of them nearly forgotten. (In an appendix, Coodley lists his “women friends,” along with citations for readers interested in learning more about each one.) Since the story behind Sinclair's traveling to Chicago in his early 20s to investigate meatpacking practices in the stockyards has been told countless times, Coodley mostly avoids discussion of The Jungle and instead focuses on some of Sinclair's many other books and pieces for periodicals. The child of an alcoholic, Sinclair campaigned in favor of temperance, often thought of as a "woman's issue," understanding as he did the ill effects of alcoholism on the family unit, especially wives and mothers. The range of issues for which Sinclair sought reform affected the poor more than the middle class or wealthy, and his sincere compassion comes across as boundlessly admirable. Coodley refers multiple times to exemplary full-length biographies of Sinclair and does not pretend to cover his entire life in depth in such a slim volume. Rather, she hopes to ignite curiosity in readers, who will then study Sinclair's life more fully by consulting his own writings and other biographies.

A thoroughly engaging monograph.

Pub Date: Sept. 1, 2013

ISBN: 978-0-8032-4382-8

Page Count: 264

Publisher: Bison/Univ. of Nebraska

Review Posted Online: June 19, 2013

Kirkus Reviews Issue: July 1, 2013

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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